1 result for (book:ur2 AND session:735 AND stemmed:violin)
[... 21 paragraphs ...]
When I speak in terms of counterparts, then, or of reincarnational selves and probable selves, I am saying that in the true symphony of your being you are violins, oboes, cymbals, harps — in other words, you are a living instrument through which you play yourself. You are not an instrument upon which you are played. You are the composer and the symphony. You play ballads, classical pieces, lyrics, operas. One creative performance does not contradict the others.
[... 40 paragraphs ...]
(Actually, she now had many channels open from Seth. It seemed that every topic we mentioned engendered another one. Seth even had “a bunch of stuff” available on Jane, myself, and music. This included data on my starting to take violin lessons when I was eight years old — an event I hadn’t thought of for what seemed to be decades [it took place in 1927], but which I was able to instantly recall as soon as Jane mentioned it.)
[... 22 paragraphs ...]