1 result for (book:ur2 AND session:735 AND stemmed:present)
[... 29 paragraphs ...]
So you look back through the historical past. All of the counterparts alive as contemporaries then form, together, a musical composition in what you think of as a present; and once that multidimensional song is struck then its past ripples out behind it, so to speak, and its future sings “ahead.” But the song is being created from its beginning and its end simultaneously. In this case, however, it is as if each note has its own consciousness and is free to change its portion of the melody. Yet all are in the same overall composition, in “time,” so that time itself serves as the scale (gesturing) in which the [musical] number is written — chosen as a matter of organization, focus, and framework.
[... 25 paragraphs ...]
(The phone stopped ringing — at last.) As contemporaries, counterparts choose a particular time framework. The time format alone makes certain focuses clear, that in your terms could not be made in another context. What you learn in your present about industry — “progress” — and the equitable sharing of the earth’s products, could only be learned in a context in which industrialism was experienced as going too far, where technology was seen and known as a growing jeopardy.
[... 9 paragraphs ...]
2. Every so often I’ve referred to the inconveniences of apartment living for us, especially those involving that ever-present, ever-growing traffic noise. During break for the 726th session, which was held on December 16, 1974, I wrote that we planned to start looking for a house of our own as soon as I finished the illustrations for Dialogues. Our need for a certain kind of privacy and quiet has become very strong. At the same time, we want to avoid the sense of isolation that might result if we move into the country. I’d probably like that, but realized some time ago that such a situation would bother Jane considerably.
[... 8 paragraphs ...]
5. In very gentle ways, Jane did eventually use some of Seth’s impressions relative to both people — but cast in her own vernacular — for Chapter 18 of Politics. In that chapter she also began presenting, again from her viewpoint, material on our house-hunting activities; she plans to continue doing so in subsequent chapters.
[... 6 paragraphs ...]
11. See the 657th session for Chapter 15 of Personal Reality; Seth talked about how to “repattern your past from the present.”
[... 3 paragraphs ...]