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UR2 Section 6: Session 735 February 3, 1975 4/86 (5%) apple composition melody music contradictions
– The "Unknown" Reality: Volume Two
– © 2012 Laurel Davies-Butts
– Section 6: Reincarnation and Counterparts: The “Past” Seen Through the Mosaics of Consciousness
– Session 735: The Symphony of Your Being. Probable and Reincarnational Selves, Tragic Lives, World Goals, and History
– Session 735 February 3, 1975 9:12 P.M. Monday

[... 11 paragraphs ...]

(Pause.) If you are a “reformer,” a “reformer by nature,” then the Sumari characteristics, brought to the surface, could help you temper your seriousness with play and humor, and actually assist you in achieving your reforms far easier than otherwise. Each personality carries traces of other characteristics besides those of the family of consciousness to which he or she might belong. The creative aspects of the Sumari can be particularly useful if those aspects are encouraged in any personality, simply because their inventive nature throws light on all elements of experience.

[... 1 paragraph ...]

An apple can be red, round, weigh so much, be good to eat, sit in a basket, but be natural on a tree. It can be tart or sweet. You can find one on the ground, or on a table, or in a pie. None of these things are contradictory to the nature of an apple. You do not ask: “How can an apple have color and be round at the same time?”

[... 62 paragraphs ...]

7. In Volume 1, see Appendix 2 for Seth’s discussion of the conflicts I felt between my artistic, writing, and sportsman selves. I spent a number of years working to resolve those feelings. From the private session for January 30, 1974, which I quoted in Appendix 2: “Your father’s creativity … had its side of secrecy, privacy and aloneness … you identified creatively with his private nature. The writing self became latent as the sportsman did, yet the writing self and the artist were closely bound. You felt conflicts at time. It never occurred to you that the two aspects could release one another — one illuminating the other — and both be fulfilled. Instead you saw them as basically conflicting. You believed the painting self had to be protected … as you felt that your father had to protect his creative self in the household….”

[... 3 paragraphs ...]

10. For some Seth material on suicide, see the first delivery for the 546th session, in Chapter 11 of Seth Speaks. In the 642nd session for Chapter 11 of Personal Reality, Seth mentioned that suicide can be “the result of passivity and distorted aggression, and of natural pathways of communication not used or understood.”

[... 4 paragraphs ...]

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