“Seth material” search engine (Jane Roberts)

So you look back through the historical past. All of the counterparts alive as contemporaries then form, together, a musical composition in what you think of as a present; and once that multidimensional song is struck then its past ripples out behind it, so to speak, and its future sings “ahead.” But the song is being created from its beginning and its end simultaneously. In this case, however, it is as if each note has its own consciousness and is free to change its portion of the melody. Yet all are in the same overall composition, in “time,” so that time itself serves as the scale (gesturing) in which the [musical] number is written — chosen as a matter of organization, focus, and framework.

(12:01 A.M. The ending was quick. Jane’s trances and deliveries had been excellent — strong and vital. “Seth’s going into historical probabilities in the next session,” she said. “I could go into that stuff right now, I feel so good. I could do it for another hour without any hassle. There’s a lot there on national counterparts, too.”¹² Then while I wrote this note she proceeded to tell me more about what Seth had in mind.

12. A note added later: I’m sorry to write that Seth didn’t discuss historical probabilities in the 736th session, or national counterparts either. I forgot to remind Jane of those topics before that session, just as I forgot to ask Seth about them while he was speaking. Several more sessions were held before I discovered the lapse, which occurred partly because I hadn’t typed the 735th session yet, and neglected to refer to my handwritten notes, and partly because in the meantime Seth had returned to his material on the families of consciousness. My error was unfortunate, since I feel that his information would have been most original, enhancing future sessions.