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UR2 Section 6: Session 735 February 3, 1975 6/86 (7%) apple composition melody music contradictions
– The "Unknown" Reality: Volume Two
– © 2012 Laurel Davies-Butts
– Section 6: Reincarnation and Counterparts: The “Past” Seen Through the Mosaics of Consciousness
– Session 735: The Symphony of Your Being. Probable and Reincarnational Selves, Tragic Lives, World Goals, and History
– Session 735 February 3, 1975 9:12 P.M. Monday

[... 14 paragraphs ...]

(Long pause.) You can look at an apple and hold it in your hands, so it is obvious that its shape does not contradict its color. You see that an apple can be red or green or both. If I said: “Apples sit quietly on a table,” you would have to agree that such is sometimes the case. If I said: “Apples roll down grassy inclines,” you would also have to agree. If I said: “Apples fall down through space,” you would again be forced to concede the point. It would be clear to you that none of these statements contradicted each other, for in different circumstances apples behave differently.

(9:40.) So far, you do not hold your consciousness in your hand, however. When I speak of the behavior of your psyche, then, you may wonder: “How can my psyche exist in more than one time at once?” It can do this just as an apple can be found on a table or on the ground or on the tree.

[... 19 paragraphs ...]

Give us a moment … Do you want to rest your hand?

[... 11 paragraphs ...]

Take a hypothetical young woman named Mary, who is partial to the kinds of experiences just mentioned. Temperamentally, she seeks out crisis situations. She may initiate suicide attempts. On the other hand she may entertain no such ideas, but be murdered at the age of 17.

[... 1 paragraph ...]

He picks, or she picks, victims as intuitively as the victim seeks out the slayer. On the other hand, Mary’s experiences in life may make her change her mind, so to speak, so that at 17 she encounters a severe illness instead, from which she victoriously recovers. Or she might narrowly miss being murdered when a bullet from the killer’s gun hits the person next to her. On an entirely different level and in a different way, she might have no such experiences but be a writer of murder mysteries, or a nurse in surgery. The particular variations that one person might play are endless. You cannot consciously begin to alter the framework of your life, however, unless you realize first of all that you form it. The melody is your own. It is not inevitable, nor is it the only tune that you can play.

[... 10 paragraphs ...]

(I knew that if I encouraged her she’d go back into the session. I was tempted, but it was after midnight; we had ESP class coming up in 19 hours, with much to do in the meantime. And my writing hand was getting tired.

[... 24 paragraphs ...]

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