“Seth material” search engine (Jane Roberts)

In the last few sentences there is an intuitive “definition” of probable and reincarnational selves, and counterparts, in relationship to the self that you know. In your case, however, you can change your own pacing, add variations, or even begin an entirely new composition if you choose to. Now many people have done this in very simple, mundane ways by suddenly deciding to use abilities they had earlier ignored. A man of letters, for instance, at the age of 40 suddenly remembers his old love of carpentry, reads do-it-yourself manuals, and begins his own home repairs. After disdaining such activities as beneath him for years, he suddenly discovers an intimate relationship with earth and its goods, and this appreciation adds to words that before may have been as dry as ash.

(The phone stopped ringing — at last.) As contemporaries, counterparts choose a particular time framework. The time format alone makes certain focuses clear, that in your terms could not be made in another context. What you learn in your present about industry — “progress” — and the equitable sharing of the earth’s products, could only be learned in a context in which industrialism was experienced as going too far, where technology was seen and known as a growing jeopardy.