“Seth material” search engine (Jane Roberts)

(Last Thursday I finished the final pen-and-ink drawing of the 40 I’d planned for Jane’s book of poetry, Dialogues of the Soul and Mortal Self in Time.¹ I spent Friday checking the batch, then on Saturday morning I mailed them to Tam Mossman, Jane’s editor at Prentice-Hall. That afternoon we talked with a real estate agent, Debbie [not her real name], whom we’ve known for some time. Sunday we rested. And today we began house hunting.²

To some degree you feel the same way when you encounter the concept of probable selves, or of counterparts. It is as though you had an unlimited bank of abilities and characteristics from which to draw, and yet were afraid of doing so — fearing that any addition could make you less instead of more. If all of this goes on personally, as you choose one melody and call it yourself, then perhaps you can begin to see the mass creative aspects in terms of civilizations that seem to rise and fall.

To some extent you can actualize portions of your own unknown reality, and draw them into the experienced area of your life. There is an obvious relationship between one note and another in a musical composition. Now in terms of physical families and in larger terms of countries, there is a relationship between realities, which constantly change as the notes do. To some extent your reality is picked up by your contemporaries. They accept it or not according to the particular theme or focus of their lives.