1 result for (book:ur2 AND session:735 AND stemmed:concept)
[... 28 paragraphs ...]
To some degree you feel the same way when you encounter the concept of probable selves, or of counterparts. It is as though you had an unlimited bank of abilities and characteristics from which to draw, and yet were afraid of doing so — fearing that any addition could make you less instead of more. If all of this goes on personally, as you choose one melody and call it yourself, then perhaps you can begin to see the mass creative aspects in terms of civilizations that seem to rise and fall.
[... 8 paragraphs ...]
There are many kinds of music. I could say: “Music is triumphant,” or “Music is tragic.” You would understand that I am not contradicting myself. You would not say, or (humorously) at least I hope you would not say: “Why would anyone write a composition like Tchaikovsky’s Pathetique?”8 Why would a composer choose a somber mood? The music itself would have its own sweep and power, and would indeed be beautiful beyond all concepts of good and evil.
[... 47 paragraphs ...]