“Seth material” search engine (Jane Roberts)

So you look back through the historical past. All of the counterparts alive as contemporaries then form, together, a musical composition in what you think of as a present; and once that multidimensional song is struck then its past ripples out behind it, so to speak, and its future sings “ahead.” But the song is being created from its beginning and its end simultaneously. In this case, however, it is as if each note has its own consciousness and is free to change its portion of the melody. Yet all are in the same overall composition, in “time,” so that time itself serves as the scale (gesturing) in which the [musical] number is written — chosen as a matter of organization, focus, and framework.

1. I was about a month behind schedule in finishing the illustrations for Dialogues; see Note 1 for the 705th session. The delay doesn’t matter in this case, though. Jane’s publisher still has plenty of “lead time” for the production of the book, since it won’t be marketed until the fall of 1975.