“Seth material” search engine (Jane Roberts)

(Pause.) If you are a “reformer,” a “reformer by nature,” then the Sumari characteristics, brought to the surface, could help you temper your seriousness with play and humor, and actually assist you in achieving your reforms far easier than otherwise. Each personality carries traces of other characteristics besides those of the family of consciousness to which he or she might belong. The creative aspects of the Sumari can be particularly useful if those aspects are encouraged in any personality, simply because their inventive nature throws light on all elements of experience.

The psyche as you know it, then, is composed of a mixture of these families of consciousness. One is not superior to the others. They are just different, and they represent various ways of looking at physical life. (Pause.) A book would be needed to explain the dimensions of the psyche in relation to the different families of consciousness. Here, in this manuscript, I merely want to make the reader aware of the existence of these psychic groupings. I am alert to the fact that I am using many terms, and that it may seem difficult to understand the differences between probable and reincarnational selves, counterparts and families of consciousness. At times contradictions may seem to exist. You may wonder how you are you in the midst of such multitudinous psychic “variations.”

(Long pause.) You can look at an apple and hold it in your hands, so it is obvious that its shape does not contradict its color. You see that an apple can be red or green or both. If I said: “Apples sit quietly on a table,” you would have to agree that such is sometimes the case. If I said: “Apples roll down grassy inclines,” you would also have to agree. If I said: “Apples fall down through space,” you would again be forced to concede the point. It would be clear to you that none of these statements contradicted each other, for in different circumstances apples behave differently.

Now in music the pauses are as important as the sounds. In fact, they serve to highlight the sounds, to frame them. The sounds are significant because of their placement within the pauses or silences. So the portions of your psyche that you recognize as yourself are significant and intimate and real, because of the inner pauses or silences that are not actualized, but are a part of your greater being.

Now imagine a composition in which the pauses and the silences that you do not hear are sounded — and the notes that you hear are instead the unheard inner structure.