“Seth material” search engine (Jane Roberts)

He picks, or she picks, victims as intuitively as the victim seeks out the slayer. On the other hand, Mary’s experiences in life may make her change her mind, so to speak, so that at 17 she encounters a severe illness instead, from which she victoriously recovers. Or she might narrowly miss being murdered when a bullet from the killer’s gun hits the person next to her. On an entirely different level and in a different way, she might have no such experiences but be a writer of murder mysteries, or a nurse in surgery. The particular variations that one person might play are endless. You cannot consciously begin to alter the framework of your life, however, unless you realize first of all that you form it. The melody is your own. It is not inevitable, nor is it the only tune that you can play.

My comments here are certainly reminiscent of those in Note 4 for the last session: I explained how Jane and I missed out on what I think would have been excellent material simply because she was interrupted by a visitor just as she began to deliver it. Then see Note 2 for Appendix 22, which contains some of the reasons why we often find it difficult to return to a certain session to flesh out a certain subject.