“Seth material” search engine (Jane Roberts)

[...] The worry about Seven however was important, and the call today of benefit (to Prentice-Hall)—as the production of this book (The “Unknown” Reality) will be.

[...] It is the product of an inner consciousness with far more sense of identity and purpose than the daily ego. [...]

The individual inner self, then, through constant massive effort of great creative intensity, cooperates with all other inner selves to form and maintain the physical reality that you know, so that physical reality is an offshoot or by-product of the highly conscious inner self.

[...] The addition, however, brought with it a new sense of responsibility—not just to make money, but as his writings continued he wanted his creative work to be “responsible” and he began to discover that others, so it seemed, were all too ready to latch upon what he almost considered magical inspirational productions, and to follow them with very literal minds. [...]

[...] They create out of the joy and natural necessity to do so, and their productions also exist in a realm far too large to be so easily categorized.

[...] The end products—your foliage, landscapes and skies for example, are of the highest esthetic nature: as esthetic productions they are unequalled.

“Occasionally a personality will astound itself by such an image production. [...] Often when a child cries about a bogeyman, what he has seen is such an image production or fibrous projection, formed by vivid desire on the part of the subconscious.”

[...] The psyche attempts to get rid of them by projecting them into a specific area of the body; in the case of ulcers, the diverted energy goes into the actual production of the ulcer itself. [...]

[...] But her pendulum stressed also that all other chocolate and products should be avoided.

[...] If our friend feels fully productive, exuberant and free to use his abilities, then he will be entirely healthy. [...]

[...] Health should be considered then —and this is important—as a means to a desired end; full productive creative work; full use of abilities; daily enjoyment; helping others. [...]

[...] There are literally numberless steps taken before EE units combine in their own fashion to form the most microscopic physical particles, and even here the greatest, gentlest sorting-out process takes place as these units disentangle themselves at certain operational levels (underlined) from their own greater fields of “information,” to specialize in the various elements that will allow for the production of atoms and molecules impeccably suited to your kind of world.

[...] Manufactured products are also composed of atoms and molecules that ride upon units of consciousness transformed into EE units, and hence into physical elements.

[...] It is the so-many-odd days or months that have gone into its production in your terms, or years that have gone into production of the tree. [...]

[...] It is important that our books make their way, and as unhampered as possible by the commercial distortions that would automatically be applied by men interested in advertising a product.

[...] Whatever mechanisms or methods are used in any illness, they are efficient and productive only to the extent that they convince the patient of his or her power to overcome the condition.

I have some things in mind myself, but the atmosphere is to be relaxed, a more intelligent version of Friday night, in which Ruburt feels he can be at ease, and does not need to make a great production. [...]

(This afternoon and evening, and somewhat to my surprise, Jane has been talking about discussing her physical symptoms in her new book, God of Jane. I thought her changed attitude stemmed from her long phone conversation with Tristine Rainer, of Dan Curtis Associates, a television production company that wants to option her life story. [...]

(Pause.) You could not treat your paintings as products in the marketplace. [...]

[...] Those “products” of your consciousness are indeed unique, creative, and form a characteristic mosaic that has its own beauty and elegance.

[...] Their products are the seas upon which you sail your ships, the skies through which your airplanes fly, the land upon which your cities sprawl, and the very reality that makes your culture, or any culture, possible.

In this category, I am not referring to individuals like Ruburt, who speak for another personality with a sense of ease and tranquillity, and whose resulting information is excellent knowledge — the obvious products of uncommon common sense that proves to be helpful to the individual and others.

[...] In connection with our feelings about the long intervals that have materialized several times during the production of this book, see my opening notes for the 815th session — especially those concerning simultaneous time, and my statement that “We do not plan to ask Seth when the book will be done.” [...]

(Since last March, then, we’ve been holding our private, or nonbook, sessions twice a week usually: Their regular production came to be a steady, reassuring flow of creativity in back of all of the other, often hectic activities I’ve listed here. [...]

The psyche expresses itself through action, of course, but it carries behind it the thrust from which life springs, and it seeks the fulfillment of the individual — and it automatically attempts to produce a social climate or civilization that is productive and creative. [...]

As I mentioned, the creative spontaneous self knows of your entire situation, so that its unimpeded production will automatically meet all of your needs.

[...] This lets us briefly examine the nature of our consciousness by allowing us to view its products — the events and experiences that it creates when released from usual physical focus.

In your society, it is generally thought that a person must have a decent livelihood, a family or other close relationships, good health, and a sense of belonging if the individual is to be at all productive, happy, or content.

This tale, I admit, is far more difficult to understand than a simple story of God’s creation of the world, or its actual production in a meaningless universe through the slippery hands of chance—and yet my story is more magnificent because elements of its truth will find resonance in the minds and hearts of those open enough to listen. [...]

[...] You want to know where you came into the musical production, so to speak. [...]

[...] They were master productions. [...]

[...] I’m still busy typing the final manuscript for Mass Events, but we’ve already planned that I’ll be adding several “nonbook” sessions, and excerpts from others, to Dreams when finally I get to concentrate on the production work for it And my own opinion, I explained to Jane, is that Seth is considerably more than halfway through this book, even if we add more extra sessions to it.)

[...] Jane hadn’t looked at Seth Speaks for long periods during its production in order to avoid conscious involvement with it — but, she said recently, smiling, she plans to read and use this work session by session as she delivers it. [...]

[...] It is a natural product of what your consciousness is. [...]