“Seth material” search engine (Jane Roberts)

[...] Using those terms, we have a god constantly in the process of creation, action acting upon itself, always with new possibilities, each existence bringing forth new varieties. [...]

[...] It’s interesting to note that Seth completed Chapter Eighteen, concerning our psychic creation of the environment [including earthquakes, of course] a week before our guest’s arrival. [...]

[...] Your creations in the electrical universe may be said to appear as your future in the physical universe. [...]

[...] There is a continuity that follows through all existences, and shows itself in the endeavors and creations of the individuals involved.

[...] Individually and en masse, and to the extent that our human systems of perception make it possible, our species has created a world and universe built upon a very limited, repetitious creation and interpretation of internal and external data. [...]

[...] Usually then you alone are not responsible for an event, because others participate in its creation — for their own reasons. [...]

[...] It is the mass creation formed by your inner ideas. [...]

Again, in this distortion we see the creation, however minute, of a new reality. [...]

[...] The very nature of this book, the method of its creation and delivery, in themselves should clearly point out the fact that human personality has far more abilities than those usually ascribed to it. [...]

[...] [Appendix 11 contains excerpts from The Wonderworks, the paper Jane wrote almost two weeks ago on Seth, dreams, and the creation of our reality. [...]

(11:36 P.M. Jane said that Seth’s material was going to lead into the formation of EE units — electromagnetic energy units — and their collective role in the creation of physical matter.)

[...] Your paintings are a creation, and yet by their nature they are limitations. [...] This is a creation. [...]

This tale, I admit, is far more difficult to understand than a simple story of God’s creation of the world, or its actual production in a meaningless universe through the slippery hands of chance—and yet my story is more magnificent because elements of its truth will find resonance in the minds and hearts of those open enough to listen. [...]

[...] Also, I use time terms, since you are so used yourselves to that kind of categorizing, so here we will certainly run into our first seeming contradiction (see the last session) — when I say that in the higher order of events all universes, including your own, have their original creations occurring now, with all of their pasts and futures built in, and with all of their scales of time winding ever outward, and all of their appearances of space, galaxies and nebulae, and all of their seeming changes, being instantly and originally created in what you think of as this moment.

[...] In many such instances there will also be at least a short spurt of intense but scrambled, perhaps garbled, creative activity, in which the individual tries to recognize these various elements, as mankind himself has attempted many times in the creative, sometimes garbled creation of his own religions (with soft irony).

([Sue:] “The creation of individual symbols of self is what Dave Zale did in that incident, wasn’t it?”)

[...] A certain part of my reality is a portion of a certain part of his reality, and here the creation of what I seem to be takes place.

I mention this here simply to point out the similarity between some dreams and some children’s games, and to show that all dreams and all games are intimately involved with the creation and experience of events.

2. I think that tonight, when he started talking about the inclination of Framework 2 toward good or constructive development, Seth began to elaborate a bit on his statement after 9:50 in the last session, when he told us that the universe “is automatically predisposed … toward the creation of ‘good’ events.”

“Here you will find the innate knowledge concerning the creation of the camouflage universe as you know it, the mechanics involved, and much of the material I have given you. [...]

[...] This is an actual re-creation, not a symbolic one. [...]