“Seth material” search engine (Jane Roberts)

[...] You can live with the idea of being a mistress, not wife—the two roles clash in your own psyche. [...]

[...] He is not dressing with the freedom of an ordinary healthy good-looking young woman, for example, so he must dress for the role in his “as if” game. [...]

[...] Its role is dual, however: It is meant to assess conditions both inside and outside, to handle data that comes from the physical world and from the inner portions of the self. [...]

[...] There is so much to be said here, as it is also necessary to consider the ways in which physical material is constantly created, and to consider the role of the senses.

2. Now Seth began a rundown of the roles played by each of the families of consciousness as he’d listed them in the 732nd session. [...]

[...] I see it as harking back to the poet’s original role; to explore the reaches of his or her private psyche, pushing against usual psychological boundaries until they give, opening up a new mystical territory — the psyche of the people, of the species itself — perceiving a spectacular vision of inner reality that the poet then communicates to the people, translating that vision through words, rhythm, or songs.

[...] I am sure that you realize that when you drive your car, you see yourself in a masculine role, as one of power and strength and one in which you consider yourself invulnerable. [...]

[...] And around school he plays the ‘cool guy’ role, the ‘love them and leave them’ image. [...]

[...] There was a woman here in the dream but her role is beyond my accurate recall.

[...] This ended, but now Jane had taken off, evidently wrapped up in the role briefly, for she shouted at a fast and furious pace, shaking her head violently, eyes closed. [...]

[...] Idiots also serve their role by moderating the sometimes fierce hold that the reasoning mind can (underlined) have upon human activity.

In these continuous exterior religious dramas, the Hebrews played a strange role. [...]

Now these were men filled out like sails with the energy of their roles, yet they had to have the personality characteristics of their time. [...]

[...] I think his material will certainly include many original insights into the whole subject of consciousness-and-energy in general, as well as into the role of consciousness in events like the accident at Three Mile Island. [...]

[...] It appears, and is a reality, to all aspects or portions of the self, and often it is only within the dream universe that the personality can change focus easily or efficiently enough so that he can perceive the variety of roles that he himself has played.

[...] He is afraid that you will not love him if he does not take the traditional woman role, and that if he does not he has no right to expect such gallantry. [...]

[...] Another alternative is for you to give the suggestions in the role of hypnotist. [...]

[...] It is not your role, necessarily, to make up for the love Ruburt did not have as a child, yet bodily caresses and fond verbal endearments provide him with exactly the kind of soothing assuring elements that he needs, and that will result in health improvement.

[...] Such role-playing could be studied as an attribute of certain families of consciousness.

In his role as woman Ruburt would not want to appear in public with you unless he was gallantly and proudly escorted. [...]

[...] As in the Introductory Notes, I want to stress Jane’s role as the creative artist, disseminating her personal view of a larger inner reality, and her intuitive and conscious comprehension of at least some aspects of that reality; for such understanding can easily elude our Western-oriented, materialistic, technological outlook.