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SS Part Two: Chapter 21: Session 587, July 28, 1971 8/58 (14%) Hebrews god dramas Mohammedanism religion
– Seth Speaks: The Eternal Validity of the Soul
– © 2012 Laurel Davies-Butts
– Part Two
– Chapter 21: The Meaning of Religion
– Session 587, July 28, 1971, 9:17 P.M. Wednesday

[... 3 paragraphs ...]

The exterior religious dramas are of course imperfect representations of the ever-unfolding interior spiritual realities. The various personages, the gods and prophets within religious history — these absorb the mass inner projections thrown out by those inhabiting a given time span.

Such religious dramas focus, direct, and, hopefully, clarify aspects of inner reality that need to be physically represented. (Long pause, eyes closed.) These do not only appear within your own system. Many are also projected into other systems of reality. Religion per se, however, is always the external facade of inner reality. The primary spiritual existence alone gives meaning to the physical one. In the most real terms, religion should include all of the pursuits of man in his search for the nature of meaning and truth. Spirituality cannot be some isolated, specialized activity or characteristic.

Exterior religious dramas are important and valuable only to the extent that they faithfully reflect the nature of inner, private spiritual existence. To the extent that a man feels that his religion expresses such inner experience, he will feel it valid. Most religions per se, however, set up as permissible certain groups of experiences while denying others. They limit themselves by applying the principles of the sacredness of life only to your own species, and often to highly limited groups within it.

(Pause at 9:30.) At no time will any given church be able to express the inner experience of all individuals. At no time will any church find itself in a position in which it can effectively curtail the inner experience of its members — it will only seem to do so. The forbidden experiences will simply be unconsciously expressed, gather strength and vitality, and rise up to form a counter projection which will then form another, newer exterior religious drama.

The dramas themselves do express certain inner realities, and they serve as surface reminders to those who do not trust direct experience with the inner self. They will take the symbols as reality. When they discover that this is not so, they feel betrayed. Christ spoke in terms of the father and son because in your terms, at that time, this was the method used — the story he told to explain the relationship between the inner self and the physically-alive individual. No new religion really startles anyone, for the drama has already been played subjectively.

[... 1 paragraph ...]

In these continuous exterior religious dramas, the Hebrews played a strange role. Their idea of one god was not new to them. Many ancient religions held the belief of one god above all others. This god above all others was a far more lenient god, however, than the one the Hebrews followed. Many tribes believed, quite rightly, in the inner spirit that pervades each living thing. And they often referred to, say, the god in the tree, or the spirit in the flower. But they also accepted the reality of an overall spirit, of which these lesser spirits were but a part. All worked together harmoniously.

[... 25 paragraphs ...]

(10:38.) So the concept of God began to change as the ego recognized its reliance upon inner reality, but the drama had to be worked out within the current framework. Mohammedanism was basically so violent precisely because Christianity was basically so gentle. Not that Christianity was not mixed with violence, or that Mohammedanism was devoid of love. But as the psyche went through its developments and battled with itself, denying some feelings and characteristics and stressing others, so the historic religious exterior dramas represented and followed these inner aspirations, struggles, and searches.

[... 1 paragraph ...]

(10:45.) Behind all faces there is one face, yet this does not mean that each man’s face is not his own. The further religious drama of which I have spoken, in your terms still to come, represents another stage in both the internal and external dramas in which the emergent ego becomes aware of much of its heritage. While maintaining its own status, it will be able to have much greater commerce with other portions of the self, and also to offer to the inner self opportunities of awareness that the inner self on its own could not procure.

[... 19 paragraphs ...]

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