“Seth material” search engine (Jane Roberts)

[...] It represents what is left over of Ruburt’s questioning and doubts, those unresolved areas that were emotionally charged not only because of, say, Church doctrine, but intensified because of emotional episodes with his mother, or other such issues. [...]

Today was a day in which feelings became conscious and pervaded the emotional air, as if the mustiness from a suddenly opened closet door spread out into the living room. [...]

(This afternoon while I was out doing errands, Jane had a rather strong if not lengthy experience that seemed to encompass an emotional understanding of Seth’s material in the last session [for Monday]. She’s already reread that session three times, and so have I. This time she got the emotional content of it, though, and scribbled a few lines while it lasted, perhaps 10 minutes. [...]

[...] The idea of identifying with your pleasure, identifying yourselves with your pleasurable feelings and emotions, is highly vital. [...]

Instead, such people will indeed perform a kind of artistry of relationships, composing, say, symphonic, emotional compositions that indeed play as masterfully upon the emotions as the pianist upon the keys. [...]

I also want to stress here that all aspects of life experience not only sensations but emotional feelings. [...] You should have respect, then, for the cells of your body, the thoughts of your mind (pause), and try to understand that even the smallest of creatures shares with you the emotional experience of life’s triumphs and vulnerabilities.

[...] Your thoughts have an emotional basis, also. The smallest c-e-l-l (spelled) within your body contributes to that emotional reality, and reacts instantly to your thoughts.

[...] You understand many issues intellectually, but have not gained their emotional comprehension. [...]

Last week’s session should be read often by both of you, so that you make certain leaps toward emotional comprehensions that you need.

Now you are dealing with emotions, working with your portraits. [...] You work within regular hours, yet within those hours you are dealing with unregularized emotions. [...]

[...] Remember that the emotional element is behind all of our sessions. [...]

You need time to do your own work, but it is also true that the intuitions and emotions that spark your own work are not dependent on time, and exist quite apart from it.

[...] After a while she began to talk to me, slowly, yet gave every sign of continuing the session on her own, and in the highly emotional manner of the 435th session of September 11, 1968. [...]

[...] There is a more emotional charge connected with those issues. [...]

[...] (Long pause.) He felt that they opened the door to all of organized religion’s psychological quicksand of emotionalism. [...]

[...] In the same manner do thoughts and emotions have the electric reality of which I have spoken. Therefore, within the electric system, dreams, thoughts and emotions exist as actualities, and in what you may call a tangible form, though not in the form of matter as you are familiar with it.

In the composition and buildup of the personality, you can easily see that dreams, thoughts, emotions and psychological experiences are far more important than any mere physical data. [...]

[...] Many of their health problems will deal with eruptions — interior ulcers, skin eruptions, or in very definite mental and emotional eruptions, and great outbursts of force and temper all the more noticeable because of the usual disciplined patterns of behavior.

In most such cases there is a lack of the normal range of emotional expression. [...]

I see that expanse of time (that four years and five months), as being really an emotional bridge between Jane’s poem in Note 6 for the 936th session and the two she wrote in March 1977. All three are entirely consistent not only with her beliefs and emotions, but with my own. For I feel now, in connection with the two “new” poems, the same profound sensations I had concerning Jane’s challenges when I wrote in Note 6: “Perhaps it was her poetic art of expression that helped me identify so strongly with her emotions, but I suddenly felt that even I had never really understood the myriad depths of her challenges and her reactions to them.” All three poems, then, are of a piece, in which she explores across time and emotion different facets of a common set of beliefs about friendly psychic colleagues and feelings of safety.

There will be a great emphasis upon certain emotionally charged impressions. This means that you will perceive certain impressions that have a particular emotionally-charged origin, more easily than you will perceive others. [...]

The session last evening was to some extent inhibited because of the emotional climate that affected our good Jesuit (Bill Gallagher). [...]

[...] (Pause.) You are both emotionally-based individuals, and you will be open to each other’s communications, which is all to the good. [...]

Your best indication in the manufacture of time can be your emotions. A vivid emotional experience can be more present than an event that happened ten minutes ago, in your terms, that was not vivid nor important. Emotional intensity can defy your ideas of time and place. [...]

[...] You like the word warm-blooded, but where do you think your emotional abilities come from. [...]

[...] He is squeezing the life from it symbolically and he senses the emotional (Jane’s voice sounded almost drugged here) crisis toward which he is propelled. [...]

[...] Jane agreed with my idea that Seth put her into deeper trance in order to allow the material to come through [since it is emotional, related to friends and so forth. [...]

The breakdown will be emotional but it will show a physical nature affecting circulatory (hesitated on word) symptoms and the heart, but this will be secondary.

[...] Various foods are then used in a destructive way, representing the emotional conflicting forces.

[...] There was great emotional charge behind the whole reunion question, and the “shall I go—shall I not go”—questioning discharged long withheld energy. [...]

[...] There has been a great clearing, and there are massive improvements and openings psychically and emotionally, that are resulting in a resumption of health.

(The combination of) thought, emotion, and desire creates form, possesses energy, (and) is made of energy. [...]

[...] But whether you have a physical form or not, if you have emotions or feelings, these will take form. [...]

[...] This did indeed result in further lack of mobility, with strong emotional blockages because of his feeling for you. [...]

[...] Your own feelings toward Fell had strong emotional power.

[...] In the past, however, it tended to aggravate his condition because the word arthritis alone carried such emotional force. [...]

[...] He enjoyed Voice of the People simply because gripes were so emotionally and freely given.

The experience of emotions and thoughts and other psychological realities that do not take up space physically within your universe, all represent portions of, small portions of, what I will for now term initial experience. Psychological reality, emotional reality, and the reality of thought also become valid to human personality through their existence as various intensities. [...]

[...] But the dream universe and the dream experience, like thoughts and emotions, are independent of you in existence. [...]

[...] This acted as an emotional impetus.

Ruburt was working and without realizing it telepathically was aware of your emotional presence. [...]

[...] The desire to work well, enthusiastically and emotionally held, can offset bad health for example. [...]

[...] I’d thought such things before but this was full of emotion.... [...]