“Seth material” search engine (Jane Roberts)

[...] The book would include Jane’s simplistically beautiful and brilliantly colored art; also my own quite different art—especially those drawings and paintings of and from my dreams that began to blossom as Seth discussed his dream material. [...]

Ruburt will want to know if the door is closed, so tell him because I want our friend over here in the bridal white (Maria) to realize that each of you should realize that the energy and strength and vitality that rings through this frail form now rings also through that form and that form and that form and represents the energy and vitality that belongs to each of you, and you all have it to draw upon. [...]

[...] They exist apart from the physical world and in an inner one, and from this you draw those theories, ideas, civilizations, and technologies which you then physically translate.

[...] Now in both of your lives, you have managed to express creative abilities to advantage, to draw upon these not only at isolated periods of your lives, or in partial form, but in such a fashion that they have provided you with continuing frameworks of self-discovery and creativity—so when you are counting accomplishments, remember that (in reference to question 2.

[...] Thinking of medical drawings you have done may be of benefit.

The mood, however, and the results that you achieved today, if sustained, draws to you from all of your experience and from the vast potential of Framework 2 those body events, healing situations, dreams, impulses, or whatever is needed to right Ruburt’s condition.

[...] You draw upon the people you share your new environment with. [...]

[...] In the present then each person has unlimited opportunity to draw upon the entity’s energy, and the understanding and powers of all of its parts. [...]

No identities are blurred, but it makes no difference to the identities where you or mankind happens to draw a line, saying “Here we have A, and here we have B.”

You will note that he has had his own psychic experiences, and has been able to draw knowledge from them and from his own intuitions. [...]

[...] It is almost a threshold between the two realities, and you learned to hold your physical intent long enough at that threshold so that you have a kind of brief attention span there, and use it to draw from nonphysical reality precisely those creative elements that you need. [...]

[...] When you discover that a certain chemical or scent will attract a certain male insect, for example, you take it for granted that that element is alone responsible for drawing the male to the female. [...]

[...] You draw sustenance from the world, and grow through its medium. [...]

[...] The artistic ability is connected with the detailed drawings done in the past.

[...] At no point did you have all of the material to draw upon, as for example your readers do at any given point. [...]

Now: When you are aware of the existence of the entity and of the soul, you can consciously draw upon their greater energy, understanding and strength.

[...] You are able to draw upon more constructive energy when such rapport exists. [...]

[...] This is a very loose analogy, but he is hoping to shoot himself toward you like an arrow, hoping that those correspondences that he suspects will help draw him to you. [...]

[...] Again, lest there be a sharply inquiring intellect, wondering overmuch about how the words were formed or what motions were necessary, his drawing was in the same way automatic. [...]

[...] You can therefore naturally draw from Framework 2 all that you require.