“Seth material” search engine (Jane Roberts)

[...] But I was spontaneous, like I am now, and you needed that then just like you do now,” she said with emphasis. [...]

I am not suggesting that you relinquish conscious concern and control, but you will be amazed at how the intuitive self will use your hands, and to your conscious advantage, in experiments.

[...] I am not telling you to run off and buy one, but you could however act on the impulse as far as is reasonably possible — renting a violin, simply acquainting yourself with violin concerti, etc.

[...] I am not saying, therefore, to turn your eyes from the unfortunate conditions of the world. [...]

[...] There are reasons why I am mentioning this now rather than in earlier books. [...]

[...] If it were tied to moneymaking, as it once was, then painting became also powermaking, and hence acceptable to your American malehood; and I am quite aware of the fact that by the standards of your times both of you were quite liberal, more the pity. [...]

Now understand that I am using the term “perfectionism” in a comparative fashion—but you disapprove of defects of any kind, the both of you. [...]

[...] I will always go into back material, or the past when you request it, for it is important that you understand I am never evasive in that regard. [...]

[...] When I speak so, I am isolating a certain portion of your subjective reality, and labeling it for convenience. [...]

I am speaking of one dimension only, for in other dimensions, and traveling through the same atom, you would come to kinds of matter with which you are not at all familiar, even in theory. [...]

[...] Note that most of this data has meaning for Jane in a strong way because of the emotional content, and that I am relatively unaffected. [...]

A capital G. I am reaching for a word that sounds like grow, or Gomez. [...]

(“I am reaching for a word that sounds like grow, or Gomez.” [...]

I am speaking so far in historic terms, as you understand them. [...]

Now I am able to obtain information that Ruburt, in his terms, does not have. [...]

Now, I may or may not return, according to those rhythms of which I speak, but I am indeed present in any case. [...]

[...] I’d been especially impressed by this passage (and still am): “There is an entire global dream network, in other words, that goes quite unrecognized—one of spectacular organization in which exchanges of [...]

[...] I am not necessarily suggesting these, you see. [...]

[...] I am no medical man… Because of the psychological condition he extracted, or he used this in both whole milk and beer, in such a way that it left residues near certain joints, blocking passageways and allowing fluids to accumulate. [...]

[...] It is true that in this system of which I am speaking, there was a stronger focus upon the arts, and yet there were fewer great artists.

[...] (Pause, hand raised.) I am concerned over your arbitrary idea of age and advancement in terms of what you should expect at your age. [...]

(10:02.) I can say precisely that pure energy is everywhere within itself conscious, but the very words themselves somewhat distort my meaning, for I am speaking of a consciousness most difficult to describe.

[...] I am telling you that the basic universe exists behind all camouflage universes in the same manner, and taking up no space, that the mind exists behind the brain. [...]

I am giving it [this material] to you in as simple terms as possible. [...]

[...] I am merely saying that you are the creators of the physical world as you know it — and herein, my beloved friends, lies a vast tale.

[...] But material awareness and bodily response to it would be impossible were it not for these internal webworks … I am saying that all exterior events, including your own bodies with their insides, all objects, all physical materializations, are the outside structures of inside ones that are composed of interior sound and invisible light, interwoven in electromagnetic patterns.