“Seth material” search engine (Jane Roberts)

[...] (Pause.) The artist does not usually understand, however, that those probable art productions do literally exist; he perceives only the final, physically chosen work. [...]

(Long pause at 9:56.) I quite approve, for in greater terms I do not belong in your living room in that particular fashion. [...]

(Long pause at 10:01.) Others have indeed sensed me — Sue [Watkins]⁷ for example — but the relationship there is far different, and it is important for Ruburt that he have clear-cut areas, which I respect.

(Pause at 10:05. [...]

[...] (Long pause.) “A Creative Analysis of the Medium in Which Physically-Oriented Consciousness Resides, and the Source of Events.”

(I paused, tired. [...]

(Long pause.) None of this is necessary. [...]

(Long pause at 10:11.) “Psychic explorations” never cause such difficulties, nor do they ever compound original problems. [...]

[...] (Pause.) The environment of the physical room will seem gigantic to that small self. [...]

[...] Jane’s delivery had been rather fast throughout, except for an occasional long pause. [...]

[...] Jane now took a long pause before resuming.)

(Jane now took one of her very long pauses. [...]

[...] Her last delivery was broken by some very long pauses. [...]

[...] Although she had used pauses in her delivery the pace had been fairly fast, and my writing hand was tired. [...]

[...] (Long pause.) A variety of events led up to the sudden improvement. [...]

[...] (Pause, eyes closed.) The number 1815 may refer to a safety deposit box, I do not know. [...]

(Pause.) An M and an L. We will see. [...]

[...] (Pause.)

[...] Each individual has his or her own style of thinking, a peculiar, rich, individual mixture (pause) of speculations, fantasies, (pause) ideocentric ways of using subjective and objective data. [...]

(Pause.) In your terms this means that you do not have to rely upon what you think of as your private resources alone. [...]

(Pause.) Those goals are usually conceptualized desires, and once formed they act in a fashion like magnets, drawing from those vast fields of interrelatedness the kinds of conditions best suited to their fulfillment. [...]

I wanted you to know (pause) that new developments concerning the [medical] insurance situation are occurring, to your benefit.

(Pause.) I will merely make a few comments. [...]

(Pause.) Your father’s sentence—the paper-bag reference—was one he actually made in his own mind, in the life that you actually knew him in, and he considered that sons rather than daughters represented his one physical triumph —that is, he believed sons preferable, and they alone compensated for a working man’s life—a life he felt did not befit him. [...]

[...] (Long pause.) Such probable currents ride beneath all relationships. [...]

Your educational systems, however, for all of their idealism, have largely ended up (pause) smothering the natural individual bents and leanings of children, and overemphasized instead the cultural organization. [...]

[...] (Pause.) I do not mean to imply, either, that children do not need an education, or that some discipline and direction are not beneficial. [...]

(Pause.) In many instances, of course, you learned too well, both of you. [...]

[...] With her usual delivery, and rather frequent short pauses:)

(Pause at 8:43.) It attracted you—you felt the pull of needed change (with gestures), but this change had a new sense of attraction. [...]

(Long pause at 8:43.) Deplorable as world conditions seem, for example, as man’s desperate need for self-understanding is made known to himself, so in that world also there is a time of sensed change: new values that “will take this time.” [...]

He has no reason (long pause) to feel guilty, or to punish himself for his mother’s situation. [...]

(Long pause, eyes closed.) Such attitudes and dire misinterpretations often occur as mistakes in reading life, as if you insert an extra vowel or syllable that does not belong, but change the interpretation of an entire passage. [...]

(Long pause at 4:01. [...]

(Jane now took a long pause at 9:13. [...]

[...] She had taken many short pauses.

(Jane resumed in the same manner, with pauses and with her eyes closed, at 9:31.)

[...] She had spoken with many pauses and gestures.

Now in music the pauses are as important as the sounds. [...] The sounds are significant because of their placement within the pauses or silences. So the portions of your psyche that you recognize as yourself are significant and intimate and real, because of the inner pauses or silences that are not actualized, but are a part of your greater being.

(Pause.) If you are a “reformer,” a “reformer by nature,” then the Sumari characteristics, brought to the surface, could help you temper your seriousness with play and humor, and actually assist you in achieving your reforms far easier than otherwise. [...]

[...] (Pause.) A book would be needed to explain the dimensions of the psyche in relation to the different families of consciousness. [...]

(Long pause.) You can look at an apple and hold it in your hands, so it is obvious that its shape does not contradict its color. [...]

[...] Jane sat quietly through a long pause, then muttered: “Cracked glass ... [...] [Pause.] “It’s very quiet ... [...]

[...] [Pause.] “I have the impression of something far away; coming closer. [...]

[...] [Pause.] “A drive-in movie... [...]

(There was a pause at 10:47. [...]

(Long pause.) You are, because you have chosen it, initiating a new way of life. [...] (Pause.) You have a lifetime of beliefs behind you that you are in the process of discarding. [...]

(Pause.) The two of you, having no children, cannot count upon children to fulfill your dreams, as many do, or to accomplish what you do not accomplish, as many do. [...]

(Pause.) Your worth is in what you are. [...]

[...] (Pause.) Images as you think of them are based upon your own neurological structure, and your interpretations of these. [...]

(Long pause at 10:20.) If you believe that you do not dream, however, you will inhibit memory of them — but you will still dream. [...]

(Pause at 10:29. [...]

(Long pause at 11:25.) Her feelings of independence are reincited, and will at last lead her to want to leave the family in general — not to cling to her “boys” (my two brothers and myself) — and they will also serve as an impetus to growth on her part not realized earlier.

[...] When enough of these in a given area congregate together a strong field of activity and attraction is formed (long pause) a highly plastic first draft or underpainting model for future events or physical reality.

[...] See and hear yourself telling them (long pause) that you are selling more paintings than you ever believed possible. [...]

[...] (Pause.) Do not say “so-and-so will buy such-and-such a painting, he has the money,” if there is any touch of accusation in the statement “He has money.” [...]

[...] (Pause.)

(Jane paused at 10:01. [...] She began speaking with many short pauses, but overall her pace could not be called slow. [...]

(Jane now paused. [...]

(Jane paused at 10:17, without opening her eyes. [...]

(Jane now took a pause lasting over a minute. [...]

(Long pause.) Epilepsy is a disease often experienced also by people who have strongly conflicting beliefs about the use of power or energy, coupled with a sometimes extraordinary amount of mental and physical energy that demands it be used.

(Long pause at 4:28.) Individuals who suffer from epilepsy are also often perfectionists — trying so hard to be at their best that they end up with a very uneven, jerky physical behavior.

[...] (Pause.) It is a rather lengthy explanation. (Pause.) The cavemen were pseudorealities. [...]

[...] Jane’s voice was quiet throughout the session, her pace mostly good, but with some long pauses. [...]