“Seth material” search engine (Jane Roberts)

As he matures and learns, and studies and works, he will then be able to do this when he wishes to do so. [...]

[...] Her family name (pause) … I hear it, you see, but I do not see it (pause)… You will have to work phonetically: V I S W A (repeated), from some place near Bordeaux in France.

[...] The mere meeting however provided contacts that will be worked out.

(Pete wanted to know if a chance he had to fly home on a Lear Jet, without charge, would work out.)

[...] (Long pause.) As personalities however you have worked out your relationship. [...] You have decided not to work out any further relationships together. Often problems with one personality are worked out by relationships with another, different personality.

[...] Now it makes little difference, you see, when the transformation is worked, in your terms, or what dials are turned, or whether or not I as myself am at this moment within Ruburt speaking in your terms, or whether I did this (meaning this session, being delivered by Jane now) last evening in your terms, and tonight is a film or playback.

[...] All the channels are not yet working on this set yet, you see.

[...] This occurred to you one afternoon, three days before the dream, as you were working.

(“Do you know which painting I was working on?”)

(I asked about which painting was involved because I wanted to be clear about the two most recent I’ve been working on. [...]

(This time I had to work hard before resolving the problem after a couple of days. [...]

[...] When you understand how your own associations work, then you will be in a much better position to interpret your own dreams, for example, and finally to make an art of them.

What did you wear to work three days ago? [...]

[...] (Louder:) “The devil finds work for idle hands” — an old Christian dictum.

[...] Do not put any great stake in your predictions, for if you do you will be very disappointed if they do not work out, and end the entire procedure.

With what you both know now you should work out an excellent balance, you see, in your business dealings, in the same way that you have worked out an excellent balance in your creative and personal lives.

Usually his aggressive feelings are automatically sublimated into his work. [...]

As a rule you do not express these feelings in the area where they would normally be expressed, and you also use them as a basis for creative work. [...]

The garden work is a help. [...]

Now, in terms of growth and development and speaking now simply to get the idea across, theoretically, you are working toward a time when the you that you now know will be aware of the entire personality and accept it as your identity. [...] That the inner identity, that you, is far more than you presently realize, and the best way to work toward such realization is to accept the self that your are now, as you are. [...]

[...] The voice mechanism, unfortunately, is something that we must work with and to get my own personality across through the female image and vocal chords, certain adjustments must be made. [...]

([Joel:] “You knew I had been working on that, didn’t you?”)

[...] Two brothers who were priests and yet it seems from what I am getting, that you did what only can be called spy work for them. [...]

His methods worked very well in the transcription of his records, and purified his translations. [...] His methods did not work nearly as well in person-to-person contact with his students, however. [...]

[...] He inhibited many of his strongest drives in order to focus them upon his search and the work to which he was committed.

[...] I cannot therefore run willy-nilly without regard for his own psychological workings. [...]

The emotional qualities will also help your own work, of course. [...]

[...] They will help keep all the strands of personality working at once, so to speak, and even meet again and again people they have known in other lives. They will work out problems at a rather easy rate, rather than in, say, an explosive way. [...]

(8:45.) Some, for example, choose to isolate various characteristics in a given life, and work on these almost exclusively, basing a given existence upon, say, one main theme. [...]

(Not long after these sessions began, several years ago, Seth told Jane and me that the three of us had experienced lives in Denmark in the 1600’s. Ever since then I’ve thought my interest in the art of Western Europe for that same period, embracing the work of Rembrandt and Vermeer, Van Dyke, and Rubens, et al., more than coincidental. [...]

(9:40.) In this one, as in no other reality, intellectual and intuitive abilities finally work so well together that there is little distinction between them. [...]

My “work” is not adjacent to the world or parallel exactly but at a different level.... [...] I don’t have to “live up” to anything, I don’t have to “make the material work” or prove through my actions that it does because it proves itself in the way that creativity does, by being beyond levels of true-false references. [...]

[...] Part of the difficulty in what Ruburt thinks of as the development of his abilities, or the more frequent insertion of inspirational work of his own, is the very fact that he feels so responsible to so thusly perform. [...]

[...] The full potentials of Ruburt’s abilities and of our work will result from following the natural contours of your beings, from whose resources your own individual and joint problems can also be eradicated. [...]

[...] I have myself in the past given a good deal of information about the conflicts that can arise when Ruburt overemphasizes the idea of work as opposed to creativity. [...]

(Pause.) Most people work so many hours, then relatively speaking follow their pleasures to whatever extent possible. [...]

[...] Of this, in your work, you create a new dimension.

[...] The symbols that you work with will grow in depth and validity, for they will be symbols that will be recalled to some degree by all men. [...]

[...] Often when he supposes he is out by himself, or working alone, I am there to keep an eye on him.

[...] (Pause.) I am letting him do a good bit of his own work, however, rather than doing this for him. [...]

[...] I am demanding more of you because you are working. [...]

[...] I find it enjoyable and somewhat amusing, but I always respect the workings of honest skepticism and intellectual critical analysis. [...]

[...] Unfortunately you will have to work and use your mind. [...]

[...] It is a work life for you and it is a time for you to produce and develop, and to use your abilities on your own behalf and for others. [...]

As you read those passages the question itself—“Are these after all the units of consciousness referred to earlier?”—should have triggered your intellect and your intuition to work together, even if only slightly, in another way. [...]

1. I also kept track of Jane’s progress as she wrote the Introduction for Mass Events. She finished that excellent piece of work seven months ago—a few days before she delivered the first formal session for the Preface to Dreams, the 881st, on September 25, 1979. [...]

[...] In Session 890 see his material on both EE units and CU’s. While reading tonight’s material, the reader might keep these brief passages from that session in mind: “Each unit of consciousness (or CU) intensifies, magnifies its own intents to be—and, you might say, works up from within itself an explosive spark of primal desire that “explodes” into a process that causes physical materialization. [...]

I’m sure that in much larger terms even negativity is creative, and often in ways we cannot comprehend in our temporal reality, but I do believe that Jane’s work offers more penetrating and redeeming insights into many of those challenges we create. [...]

(1. The paper I wrote on August 16, about the workings and beliefs of certain minds. [...]

[...] There is a force, if you prefer, that actively loves each individual, each consciousness, and actively works to help that consciousness attain the fulfillment inherent in its nature. [...]

These may not be observably followed up in the next day or so, or even week, because the body is also working on other areas. [...]

He should work on the porch more frequently, and paint there also. [...]

[...] We’ve learned that Jane doesn’t take to justifying each line of her work, so we’ll see what this means for future books with Delacorte, if any. [...]

The dietary methods given in the book Ruburt read have indeed worked for many, and for the following reasons: as you suspected, a kind of conversion was attained. [...]

[...] Those who are cured are at a certain state when they approach the author, as mentioned earlier, feeling helpless after medical treatments that did not work—feeling that there is something wrong with them. [...]

[...] You both hit a period when for the moment your work was done —a time of creative regeneration.

[...] This in the 1200’s. The personality has often been in a position to work with building, and in their construction, and was instrumental in working out the principles behind the arc (Jane gestured), arch, form.

[...] The personality has been a male in four lives, and in each of these there was the building interest, although in one the main work involved irrigation and viaducts.

[...] (Pause.) There was an impatience however to have the works executed by others, in strict accordance to the original plans. [...]

[...] This system had been suggested by Toni, and seemed to work well, since it helped minimize the pressure on Jane’s left shoulder. [...]

[...] I worked on mail while it was running, but couldn’t help Jane with a session, exercises, and so forth until it was over. [...]

(Now I told her that re Seth’s session for me yesterday, I’d tried using his suggestions when I went to bed, and that they worked well, in that I stopped worrying about Jane. [...]

[...] At the same time she’s been extremely creative, working on her God of Jane, and the introduction to Mass Events—producing many pages of excellent material for those works. [...]

[...] My only recent concern has been that she not let the sessions go on a regular basis just because I’m working on the notes for Mass Events.

[...] Action continually working upon itself creates more action.

[...] The interwoven working of telepathic communications lends itself to mass patterns. [...]

I mentioned long past that creativity continued to operate in a work of art long after its physical completion. [...]

[...] Others are working with you, and there are bonds that are held and honored. [...]

[...] They are training for later work on the speakers’ manuscripts.

You planned to work together. [...]