“Seth material” search engine (Jane Roberts)

[...] Jane’s eyes opened often; her voice was a bit stronger than average.)

[...] He may be the uncle of the man who runs the gallery, per se, but he has a strong voice in the gallery. [...]

[...] The private oracle is the voice of the inner multidimensional self — the part of each person not fully contained in his or her personhood, the part of the unknown self-structure out of which personhood, with its physical alliance, springs. [...]

[...] He knows what human voices sound like even before his ear physically hears those sounds. [...]

[...] For if you will forgive me, the material is much more significant because it is backed up (deeper voice) by someone who is no longer within your system.

[...] Jane began speaking for Seth in an average voice, with pauses, eyes open often, etc. [...]

(Jane’s pace, voice, pauses, etc. [...]

[...] Neither Jane or Rob see Seth or the others, although Seth is gesturing and his voice is audible, at least to me.

[...] Her voice is clear but very high-pitched.

[...] At the moment, at least, I couldn’t recall hearing her voice such ideas just that way before in the sessions.⁶

[...] Her delivery was so subdued at first that I wondered if she was using her Seth voice. [...]

[...] He was very well dressed and very well spoken, and I didn’t pay enough attention to the doubts I sensed when he told me about hearing voices in his head, and asked if Jane did the same thing with Seth. [...] I could understand what they were saying by concentrating upon the murmur of their voices from the living room, but I seldom did so. [...]

[...] These may appear as voices telling an individual to do this or that, as “automatic” commands through writing, or as perceptions that would be called hallucinatory. [...]

[...] Now the vision (in which Paul not only saw the light of Christ, but heard his voice) happened in the world of fact. [...]

[...] Her voice remained rather quiet. [...]

[...] Jane began speaking in an average voice, with her eyes closed and while sitting down, at 9:09.)

[...] But he sounded the same after I became a little more familiar with his voice. [...]

[...] Her voice shook. [...]

[...] I didn’t voice my thoughts, which were kind of low; then Seth returned almost at once:)

[...] We voiced the idea that three key words seemed to symbolize her physical hassles—fears of scorn, criticism, and flamboyance. [...]

[...] She began in trance while seated in our rocking chair, using a quiet voice and pauses, eyes open at times.)

He felt threatened however then when you voiced your own fears. [...]

[...] She began delivering the material at a measured pace in her usual voice. [...]