“Seth material” search engine (Jane Roberts)

[...] Looking down at the town gives the kind of perspective that each of you enjoy—as here you look down from the second story.You get a second-story effect, then.

[...] I will have some remarks Saturday also about the psychic horror story in the Enquirer, stressing the power of suggestion in another area.

[...] a face that peers through second-story windows (in reference to SW’s being frightened by a face that appeared at her window recently) and meets with no response but a sigh of horror. [...]

Now our friend, Ruburt, is not about to go for all this sexual hanky-panky that is described in this precious book, but the man who wrote the book picked up his information from the inner self and then he made a story about it. [...]

[...] It is not a fascinating story to be told only for your enjoyment, but it will help when you can understand it.

Augustus Two once leaped from a second-story window to the ground in anger, and without injury — a highly unusual feat. [...]

[...] I hope my notes provide that “living story” — the narrative that gives the material its flesh in our time. [...]

[...] The dream became Chapter 1 of the book, and inspired the rest of it; she’s having great fun writing the story, and is sending it to Tam chapter by chapter as it comes out of her typewriter — a procedure she’s never followed before. [...]

THE FRED CONYERS STORY

(Rachel had been discussing a story on astral projection which told of a man seeing a black shape trying to sever the silver cord so he could not return to his body.)

[...] These are the ways in which what I say differs from those stereotyped stories of which Ruburt was speaking. [...]

([Joel:] “In one of the stories that Jane wrote, the guy went down to the beach with the wind chimes and (words lost) tree and he selected atoms and that somehow absorbed them through himself into another system until there wasn’t any physical world that we know of left at all, and then as I recall at the end he popped through his whole universe and isn’t that somewhat the same kind of thing? [...]

(The atmosphere in our second-story living room was very pleasant and prosaic this evening. [...]

[...] It could have referred to a sale of a short story I suppose, but did think it meant the book. [...]

(To Gert.) I did not mean that you could skip over the story line the first time, only that you did not need to re-read it. [...]

[...] It was a ranch-style, cedar-sided dwelling that had just been painted a dark green — a conventional one-story affair with white shutters, a fireplace, a picture window, an attached double garage in back, and many trees and shrubs. [...]

[...] Had one of his straight novels been accepted at that time, the story might be different somewhat. [...]

[...] The connection with cloning came out in the lampshades made of (human) skins, in the old news stories—though your lampshades merely stood for those, and were of fabric. [...]

[...] Christ spoke in terms of the father and son because in your terms, at that time, this was the method used — the story he told to explain the relationship between the inner self and the physically-alive individual. [...]

[...] Word would be sent that he would travel to such and such a location, and stories planted there of his arrival, while instead he journeyed to an entirely different place.