“Seth material” search engine (Jane Roberts)

[...] She said she felt very heavy-eyed and sleepy, and once again wasn’t sure just how to go about getting out of the session.

[...] She was rather sleepy from a nap, and began at 9:01.)

[...] Yet she wasn’t sleepy—“I’ve slept enough today,” she said, referring to her morning and afternoon naps. [...]

[...] I was quite sleepy, and fell into a state between waking and sleeping. [...]

[...] She began to feel sleepy during break, though, so this proved to be the end of the session.)

[...] This sleepy effect was already more pronounced, I thought, than it had been at any time during the last session. [...]

(Jane felt very relaxed and sleepy by session time, yet she didn’t want to miss a session. [...]

[...] Very slowly her eyes opened; they were very heavy and sleepy and the effort involved was apparent. [...]

[...] At break, Jane said she felt “very relaxed and sleepy, but not tired.” [...]

[...] Jane said she was somewhat sleepy before the session began. [...]

[...] “I’m so sleepy I could go right to bed. [...]

[...] I was getting very sleepy as I sat in the rocker making these notes. [...]

[...] Seth said, Sleepy time is no crime. [...]

[...] Up from her nap Jane felt both nervous and sleepy. [...]

[...] Instead, feel your body in an alert manner — not in a sleepy distant fashion. [...]

(Jane was really bleary and sleepy by the time she was finished. [...]

You stretch, a symbol of the relatively sleepy, unrealized period of youth, early youth, in which you were caught, hence the stiffish arm that was not able therefore to keep the man who is your father with you in time. [...]

(“Why do I sometimes feel sleepy during sessions?”)

(It was conducted principally because it was an exceedingly hot night; too hot to do much else, and Jane and I were not very sleepy. [...]

Sleepy time is no crime. [...]