“Seth material” search engine (Jane Roberts)

(In the 221st session Seth suggested we postpone our series of object tests with the Gallaghers. [...]

[...] He also said that we would conduct a series of tests with the Gallaghers, involving objects, and that they would be successful.)

(I am finishing up a series of half a dozen life-sized portraits, at the end of which, I told myself some time ago, I would feel free to embark upon larger projects of whatever choice I made. The smaller painting mentioned above is part of this series; so in returning to this I think I made a good decision. [...]

[...] Jane has already learned that she doesn’t want to do merely psychic, Seth books, like the Edgar Cayce series, for instance—from her own work on the creed. [...]

[...] She said she had a series of images which paralleled the material, yet she couldn’t describe them now.

(The Crusades consisted of a series of military expeditions sent out by the Christian powers in the eleventh, twelfth, and thirteenth centuries, to recover the Holy Land from the Moslems. [...]

[...] Sometimes a series of such episodes are necessary….

(Pause at 9:24.) Now stated simply, time is not a series of moments. [...]

[...] The assumptions are that time is a series of moments one after another; that an objective world exists quite independently of your own creation and perception of it; that you are bound within the physical bodies that you have donned; and that you are limited by time and space.

The plays seem to be taking place one before the other, and so these communications seem to intensify the false idea that time is a series of moments, passing in a single line from some inconceivable beginning to some equally inconceivable end.

It would be necessary to take your temperature many times during the evening, and to correlate the findings with the various levels of the subconscious as they displayed themselves through their characteristic activities within the dream series. [...]

I pick up the impression of a series of confusing circumstances earlier today, for our Dr. Instream. [...]

[...] A series, as of quickly following events, and a canyon or rock shape.

[...] Like me, he didn’t believe that Fred flew here from Denver—that is, talking a stewardess into giving him free transportation all that way—yet Fred got here somehow, and I explained that the manuscript of Fred’s that I’ve looked over contains descriptions of his landing in Pittsburgh, PA, and working his way east through a series of stops at restaurants, in which he’d add to his manuscript each time. [...]

[...] I’m just finishing typing last Monday’s session, the first in our new series, but already I think the program has helped her.

Ruburt found great comfort in the church as a young person, for if it created within its members the image of a Sinful Self, it also of course provided a steady system of treatment—a series of rituals that gave the individual some sense of hope the Sinful Self could be redeemed, as in most of Christianity’s framework through adherence to certain segments of Christian dogma. [...]

(Long pause.) Those beliefs to some extent or another appear without their strong religious connotations in your own life and background also, and this will also be discussed in the series. [...]

[...] A series of subsidiary beliefs followed, to which you both most heartily and concretely subscribe. [...]

[...] I suggest that at a later time Ruburt study the entire test series again, for there are lessons to be learned there that have still escaped you.

[...] It is true that we can still learn from the envelope test series, which covered a year. [...]

[...] (The whole series has taken much longer than I expected it to, though.) I only know that Jane began to sing in very melodious tones that flowed through the house. [...]

[...] I said anything would help, if we were to continue trying to accomplish anything with this series of sessions. [...]

“We have a series of creative strains. [...]

[...] It is a dimension of action, an almost miraculous state, made possible by what I choose to call a series of creative dilemmas.

As Seth delivered the material you have just read, I had a series of continuing experiences that were new to me. [...]

“The past exists as a series of electromagnetic connections held in the physical brain and in the nonphysical mind. [...]

[...] There may be a series of male or female existences, unbroken. [...]

The animus and the anima become even more important in these instances when a series of one-sex lives are chosen. [...]

The ego can perceive only certain portions of any given moment point or present instant, and it sees the moment point indeed as if it were one of a series of lights that approaches the ego from one side, and passes him by on the other side. [...]

[...] In the dreaming state, when the ego is released from its idea of time as a series of moments, then other portions of the self can travel through these moment points, and you have here a journey through depths that have nothing to do with your (underline your) concept of time or space.

[...] A series of small boxes, as in a post office, though I believe they are connected with the college.

(Miss Callahan is an elderly retired school teacher who lives in the front apartment.Her memory has been affected by a series of small strokes. [...]

[...] The series you see does not exist basically. [...] You are not forced to perceive action as a series of moments within inner reality, therefore.

[...] As a matter of fact, as I write this book, Rob and I are just starting a joint series of projection experiments that Seth initiated. [...]

[...] Even our own envelope series was dry in comparison. [...]

[...] We’d already begun his series of tests and were sending the results to him each week. [...]

(“A connection with a series, and with several unpleasant episodes.” This refers to a series of telephone calls Jane found herself involved in when Aunt Ella died unexpectedly. [...]

A connection with a series, and with several unpleasant episodes. [...]

There seems to be a series of them.

[...] The producer wanted to know about doing a series on Jane’s work. [...]

[...] I intend to ask Jane a series of questions like this, and the answers, or her realizations, will govern the success of any project involving her return home. [...]

“Usual memory is as much a sifting process as it is anything else, in which experience’s intensity varies — sometimes ‘alive’ neurologically and sometimes not — just to focus our consciousness in one probable action or series. (As I type I add: We forget anything not pertinent to our selected series of probable actions. [...]