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SS Part Two: Chapter 13: Session 556, October 26, 1970 10/37 (27%) anima animus characteristics sex aggressive
– Seth Speaks: The Eternal Validity of the Soul
– © 2012 Laurel Davies-Butts
– Part Two
– Chapter 13: Reincarnation, Dreams, and the Hidden Male and Female Within the Self
– Session 556, October 26, 1970, 9:08 P.M. Monday

[... 4 paragraphs ...]

The fabric of the present self is interwoven with these reincarnational “pasts,” and from them the present self draws unconsciously from its own bank of personality characteristics, activities, and insights. Often past-life memories come to the surface but are not recognized as such, since they appear in fantasy form, or are projected into art creations.

[... 1 paragraph ...]

In dreams this reincarnational material is likewise cast into a dramatic mold very frequently. Beneath all this, the anima and the animus work together, again not opposites but blending characteristics. Together, of course, they represent the fount of creativity, psychically as well as physically.

The anima represents the necessary initial “inwardness,” the brooding, caring, intuitive, inside-turning characteristics, the inward focusing from which creativity comes.

The word “passive” is a poor one to describe the characteristics of the anima, in that it suggests a lack of motion, and this is hardly the case. It is true that the anima allows itself to be acted upon, but the motive behind this is the desire and the necessity to tune into other forces that are supremely powerful. The desire to be swept along, therefore, is as strong with the anima as the opposite desire for rest. The characteristics of the animus provide the aggressive thrust that returns the personality back outward into physical activities, triumphantly holding the products of creativity that the anima characteristics have secured.

The whole self is obviously the sum of these characteristics, and more. After the final incarnation, the physical, sexual type of creativity is simply no longer needed. You do not need to reproduce physically, in other words. In simple terms the whole self contains male and female characteristics, finely tuned together, blended so that true identity can then arise — for it cannot, when one group of characteristics must be emphasized over the other group, as it must be during your present physical existence.

[... 1 paragraph ...]

The projection of the man’s anima, or hidden female self, upon [his] relations is quite natural, and allows him not only to understand them better but to relate with the other female existences of his own. The same is true of the woman’s projection of the animus upon male relatives and friends. The reality of the anima and the animus is far deeper then than Jung supposed. Symbolically speaking, the two together represent the whole self with its diverse abilities, desires, and characteristics.

[... 1 paragraph ...]

Personality as you know it, cannot be understood unless the true meaning of the anima and the animus is taken into consideration. The reincarnational pattern is generally speaking an open one, in that within it there is room for diversity. Each whole self has its own individual characteristics. It can live its lives as it sees fit within the guidelines. There may be a series of male or female existences, unbroken. Such a choice has some drawbacks.

There are, however, no rules dictating the sexual development in varying incarnations, except that experience with both sexes must be taken on, and the various characteristics developed. This does not mean that an equal number of male and female lives must be lived. Some, for example, find it far easier to develop as one sex or the other, and will need more opportunities for experience as the sex with which they experience difficulty.

[... 1 paragraph ...]

(9:48.) The male yearns toward the anima because it represents to the deep unconscious those other characteristics of the whole self that, on the one hand, lie latent, and that, on the other hand, struggle for release. The tension between the two leads him to temper aggressiveness with creativity, or to use aggressiveness creatively.

[... 5 paragraphs ...]

(9:58.) Your reality exists in a particular area of activity in which aggressive qualities, thrusting-outward characteristics, are supremely necessary to prevent a falling back into the infinite possibilities from which you have only lately emerged. Yet from this unconscious bed of possibilities you derive your strength, your creativity, and the fragile yet powerful kind of individual consciousness that is your own.

[... 13 paragraphs ...]

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