“Seth material” search engine (Jane Roberts)

[...] When this occurs “all by itself” it is an innate reflection of the psyche’s creativity and happens with its own rhythm — connected to seasons of the mind and blood and consciousness and cells in ways that you do not as yet understand. [...]

(Long pause, eyes closed, leaning back.) Ruburt cannot understand all of the processes that are involved, but the body knows what is to be done, and is working with its own rhythms. [...]

[...] That has to do with his misunderstanding for he has not seen, really, that he is producing work for two personalities that cannot be squeezed into conventional publishing rhythms.

When such other-life memories do come to the surface, they are of course colored by it, and their rhythm is not synchronized. [...]

[...] (Pause.) There is a rhythm-making talent here to some extent. [...]

His bathroom behavior is not only good, but even with the various rhythms mentioned, has shown improvement. [...]

[...] Our questions change continually in a slow rhythm, we’ve noticed, constantly evolving into what we hope are more penetrating ones as we continue to learn. [...]

From the sound, the assaulting onrushing sound of traffic, if you listen you can emerge with the prize—perhaps an abstract, with the pulsating sounds transferred to rhythm and color; or perhaps again a portrait, here, of a compulsive personality, driven, and yet behind it all the purpose which is not easily seen, and the reason.

[...] The shivering was in some kind of rhythm of varying intensity.

The body changes constantly, and there are rhythms of the soul, so that some people die young. [...]

[...] The cycles of health and disease are felt as rhythms of the body by the large variety of animals, and even with them illness or disease has life-saving qualities on another level.

(Jane and I were tired from our recent activities and might have missed the session, except that she didn’t want to interrupt the rhythm we’d built up. [...]

[...] For myself, I made intuitive connections between the regular travels of the geese and our own work rhythms in producing the Seth books.

[...] Except for the few listed below, then, it may be sufficient to just state that we’ve been in our hill house for a month, and that after much hard physical labor² we’ve settled down enough to resume our natural rhythms of painting, sessions, books, and play. [...]

[...] Those “unused gaps of time,” those long weeks passing between recent chapters for Dreams, have become very worrisome to me, for they fall outside of Jane’s natural creative rhythms. [...]

[...] There is a rhythm to such programs, however, and it is natural for the self to rouse at certain times, begin such activities, then apparently (underlined) discard them.

“Left alone, the self knows how to utilize such rhythms. [...]

[...] The seasons represent indeed a more or less regular inner sweep and rhythm that finds expression through altering what psychic energy has already created.

[...] But all of those things that seem to be outside are just the manifestations of our bodily rhythms.”

[...] If you trusted your nature you would be able to trust such feelings, and following their own rhythms and routes they would change into others. [...]

[...] Followed by an alternating vibration in my feet, as though they felt or sensed an unheard vibration, a mechanical rhythm as of machinery. [...]

[...] One of the big differences between the two is that in the big-bang theory all of the matter in the universe was already present, though existing in an extremely dense state which then began to expand; the inflationary model suggests that the universe was created out of nothing, or out of just about nothing—meaning that through unforeseeable rhythms subatomic particles spontaneously came into being, with sufficient energy behind them to enable them to persist as matter. [...]