“Seth material” search engine (Jane Roberts)

[...] Ruth being a few years younger, her physical dimensions at that time would closely match the young girl I drew in my pen and ink sketch of the experience. [...]

[...] It was somewhat of a handicap in writing; the hand, having a different feeling as it held the pen, made me concentrate more on the simple physical act of putting the words down. [...]

(Last Thursday I finished the final pen-and-ink drawing of the 40 I’d planned for Jane’s book of poetry, Dialogues of the Soul and Mortal Self in Time.¹ I spent Friday checking the batch, then on Saturday morning I mailed them to Tam Mossman, Jane’s editor at Prentice-Hall. [...]

[...] I refused to get out my notebook and pen again. [...]

Here Jane paused beside Bill and picked up the first pen drawing he had made of his sighting of the apparition.

[...] As he has done since the beginning, Rob sat with pen and paper, taking verbatim notes. [...]

[...] She looks surprised at our costumes, but I see a paper and pen on the kitchen counter and write a brief explanation. [...]

[...] This shows as a pen line on the copy on page 236; actually the border has no color in it. [...]

[...] She had no trouble with coordination, [could type easily enough, etc.] as she had in the January episode, when she could not even use a pen effectively for a time. [...]

[...] I suggest you equip yourself with some good pens.

[...] This particular session was witnessed by Bill Macdonnel, and during it he made two pen and ink drawings of an apparition he claimed to see in a doorway of our apartment. [...]

[...] However I am often here, and my energy pervades the chair, Joseph, upon which you sit, and the pen with which you write. [...]

[...] Of course I didn’t. From now on, I will hereby install a pen point in the end of my nose and sleep with my head on a writing table.

[...] She had never seen my penned note bearing the date and identifying the brand of beer, Draft Beer. [...]

[...] Keep it with a pencil or pen by your bed. [...]

Surprised, I went to my table and sat down with a paper and pen. [...]

[...] Next comes the finished work for publication, which I’ll produce by placing a sheet of clear acetate over each guide, then rendering on that untouched surface the final version in “line,” or pen and ink. [...]

After the experience was over I wrote a description of it, and made two pen-and-ink drawings — full-face self-portraits that hardly look like the me I know. [...]

[...] She insisted that I get pen and paper, and, so, the session began. [...]

[...] All are in “line,” or pen-and-ink. [...]