“Seth material” search engine (Jane Roberts)

(Also after supper it developed that Miss Callahan, the retired school teacher who lives in the front apartment on our floor, had evidently had an attack of some kind and was in urgent need of help. [...]

[...] The dream experience is a living, moving action. [...]

As a side benefit, ultimately, recall of past lives may be achieved, and a synthesization, by yourself, of your past personalities.

[...] He would be much more apt to be discreet and dependable, and he is more or less outside the regular community in which you live, which could be to your benefit. [...]

Our last discussion concerning your personal lives helped you both, incidentally. [...]

[...] A living peoplescape in which each person who plays a part in that book’s production now joins the creative act at this secondary level as far as you are concerned. [...]

[...] They each have their own lives and their own interests and intents, their own problems. [...]

[...] The painting I’ve done of Seth hangs on an inside wall of our living room. Jane saw Seth’s painting move, intact, to and then through our large center window in the living room.

[...] Some of these include friends and relations from other lives. [...]

[...] Living in the room, you can find your way between the pieces of furniture easily.

[...] Quite without realizing it, your ego is a result of group consciousness, for example; the one consciousness that most directly faces the exterior world, is dependent upon the minute consciousness that resides within each living cell of your body; and as a rule you are only aware of one ego — at least at a time.

[...] The emphasis was on practical methods of living — quite simply — rules that could be understood, but the reasons for them were forgotten.

[...] Working in one direction the soul, using its consciousness, expresses inner reality through as many symbols as possible, through living, changing symbolism. [...]

[...] The same sort of thing applies to your physical living. [...]

Now in portrait work, looking at a subject easily for example, try to see him as he was in past lives. [...]

[...] Remember in your painting the relationship of one object to another, not in terms of space necessarily, the interrelationship of the vitality that forms the objects; the vibrating always changing reality within, say, the skin of the apple or the orange, the quite living consciousness within the molecules that make up what seems to be the solid surface of the fruits’ skin.

[...] She lived in an apartment right at the corner of Walnut and Water Streets, but she was not a close friend — barely an acquaintance — and we saw her rarely. [...]

[...] The bedroom was so chilly that I finally finished my notes in the warmer living room. [...]

[...] They lived in a distant town. [...]

[...] The bridge is a living psychological bridge because in this type of communication feelings and emotions are involved. [...]

[...] When the two of you live together you have many more elements to integrate: new balances. [...]

(Tam: Was it correct, the information I got from Adam where we were related in past lives?”)

What do you think you would feel if you were convinced that what I told you about your lives tomorrow and for the next year was true, and then I told you. What would you think if I gave you a legitimate statement about the activities of your lives until your deaths, in your terms. [...]

[...] All of the individuals living, in your terms, at that time have taken part in the same inner drama which is then exteriorized. [...]

(In the 3rd session, December 6,1963, Frank Watts told Jane and me that we had lived lives in Mesopotamia, our first, in the 4th century BC. [...]

The subconscious in sleep has great freedom, and has at its command information gained through past experience in this life and in other lives. [...]

This is in his living room, or one very much like it, with the same view from the windows. [...]

[...] Jane said the impression was not too clear, and that she also had some impression of the living room and terrace of the Instream apartment, which we had seen in July 1965.

I believe that the woman lived in your apartment, and that the chest was used by others after the woman left, and before you obtained it.

[...] Therefore we had the curtains pulled in the living room, and all other lights out. Thus the hallway leading from the living room to the kitchen was dark. [...]

[...] The session was held in their living room. [...]

[...] None of us sat at a table however during the recording, or the evening; the Gallaghers do not have such a table in their living room.

[...] You do share psychic memories, and hold in common the memories of other selves who did live in the time of the Roman-soldier incident.

Other material given by me was quite correct at the time as those beliefs were applied in the past to various levels of your lives, and as you each interacted. [...]

[...] And that your daily lives will be immeasurably enriched. [...]

3. Speaking literally, because of their dissolution upon the death of their host, the man’s cells won’t become part of the animal’s structure — but at least some of the long-lived molecular components of those cells could do so, and with all their memories intact. [...]

Although I told myself that I knew Jane still lived, I wasn’t used to being in the presence of physical death. [...]