“Seth material” search engine (Jane Roberts)

[...] We were barefoot, and now I saw that the path was littered with pieces of broken glass. [...]

[...] I found it a little hard to tell when they might be partially open since she left her glasses on, and reflections interfered. [...]

(Once again as she has been doing in recent sessions, Jane removed her glasses.)

[...] Jane took off her glasses to wipe her eyes clean—then put them back on herself. [...]

[...] I had just finished my first small glass of wine when a wave of ‘feeling’ swept over me from foot to head. [...]

[...] This sensation was so strong that I put down my sandwich and took off my glasses, because I literally didn’t know what might happen next. [...]

[...] At her request I got her a glass of milk — which she didn’t finish before Seth returned.

[...] She held the half-empty glass of milk up to me, her Seth voice booming out:)

(The day before yesterday we received the first copy from Prentice-Hall of God of Jane. Today I picked up at the office for her the new reading glasses Jim Adams prescribed for her. [...]

[...] When she began speaking the voice was high and distant, with little inflection, and as usual ended on a peculiar upbeat so that at times it was hard to detect the ending of a sentence, etc, Jane moved very little as she spoke; her glasses remained on. [...]

[...] She put her glasses back on. [...]

[...] She put her glasses back on, got up, and began to walk about.

[...] She’d even given up all reading, even with the new glasses we so eagerly sought from Jim Baker. [...]

[...] A small circle of glass on a flat base. [...] It is of palm size, that is, the palm easily fits over the glass circle portion.

[...] She had left her glasses on for the delivery.

[...] Again her glasses were off, her eyes dark as usual. [...]

(Jane resumed in the same quiet and slow manner, again without her glasses, at 10:12.)

[...] The studio is actually a glass-enclosed back porch, second story, converted to year-round use.

[...] We believe the framework mentioned by Seth is a reference to the wooden window frames, and that the thin lines like poles refers to the narrow wooden frames holding the glass panes; eight small panes make up each of the five windows.

[...] Someone picked my glasses up and put them on the coffee table. (As I mentioned before, when Seth comes through, he always takes my glasses off, and often flings them rather grandly upon the rug.) The lights were on, as always. [...]

[...] Above, as Jane goes into trance, she—as Seth—removes her glasses and has thrown them onto the couch. [...]

[...] the one in which I’m kneeling at the kitchen storm door and thrusting my hand through the glass to touch Gus, the dog who belongs to our neighbors across the street. [...]

(This morning, while working on Chapter 18 of Oversoul Seven and the Museum of Time, she’d abruptly felt the impulse to move into another room; she wanted to get away from the sunlight glaring through the thin drapes covering the sliding glass doors of her study at the back of the house. [...]

[...] I believe he wears glasses.

[...] The second man occasionally wears glasses. [...]

[...] Dudley also sometimes wears glasses. [...]

[...] Her glasses were off. [...]

(“All right,” Jane finally said as she took off her glasses and began speaking for Seth with many long pauses:)