“Seth material” search engine (Jane Roberts)

[...] And so your legends are not only made of your past but they are also weaved from your future, in your terms, and all of these are interwoven even with your flesh. [...]

[...] And while it may or may not choose to enter at that point, it is drawn irresistibly to that time and point in space and flesh.

[...] So this inner knowledge has always been available, but is to become physically manifest — literally made flesh. [...]

(9:54.) You change what needs to be changed in whatever way occurs to you, then — by directing the body’s energy in that direction, by entering the flesh and bringing certain portions together that need this adjustment, by manipulating areas of the spine. [...]

(9:56.) Each day therefore is an incarnation, so to speak, but not only symbolically — for through soul’s intersection with the flesh, each self mirrors daily its “reincarnational” or simultaneous selves.

[...] I hope my notes provide that “living story” — the narrative that gives the material its flesh in our time. [...]

[...] His or her ideas about the self must be examined, for they are being materialized in flesh. [...]

[...] Instead, these are genetic attributes, inspired and promoted by the inseparable unity of spirit in flesh. [...]

[...] When they look back on their childhood and realize that, in that time, there was great magic and great rejoicing and great freedom and they ask, “Where has it gone?” It is a crisis that comes to each soul born in flesh. [...]

[...] You are flesh and blood at this point of space and time as you think of it, and not sterile pure air, therefore, what you receive will automatically come through the subconscious layers of your mind. [...]

(Then my feet [in shoes as I lay on the bed] lying about six inches apart, felt as though they were connected to each other by a bridge or rope of flesh. [...]

[...] The flesh becomes more pliable, and as that occurs in response to his newer beliefs in safety, still he must reassure himself that all is (underlined) well, and give permission for further release. [...]

[...] Yet I tell you that in such a body you would finally feel like a prisoner, for your moods and reflections, your feelings and your thoughts, would find no responsive mirror in your flesh. [...]

[...] They killed them mercifully, and then they ate them so that the wisdom could become a part of the brave and so that, in one way, immortality could be achieved, in that the elders would then feel that they were a part of the tribe and part of the flesh and blood of the tribe. [...]

[...] The members of this family actually serve to point out the unrealized capacity of the flesh — even as, for example, great Sumari artists might give clues as to the artistic abilities inherent, but not used, in the species as a whole. [...]

As far as your system is concerned, they cannot be suddenly made flesh, to dwell among you. [...]

[...] Brown was one of the colors used, and could have contributed to the undesirable purplish undertone in the flesh. [...]

If you utilize the point of power properly (as described in the 657th session in Chapter Fifteen), you will feel the nonphysical energy translated into effective personal power through your intersection with flesh. [...]

[...] Whether an artist painted saints or apostles as heroic figures, as ideas embodied in flesh, or as natural men, he commented on the relationship between the natural and the divine.

[...] You may have been told, or read, that the spirit is perfect, and hence thought that your duty was to reproduce that perfect spirit in flesh as best you could. [...]