“Seth material” search engine (Jane Roberts)

The fabric of the present self is interwoven with these reincarnational “pasts,” and from them the present self draws unconsciously from its own bank of personality characteristics, activities, and insights. [...]

Drawings of some of these exist in primitive Sumerian cave renditions, but the drawings are misinterpreted, the instrument is taken for another. [...]

[...] The strong self-conscious self of which I have spoken, the self-conscious self of which your own personality is not aware, this self that faces into the inner world of reality, quite consciously draws upon the vitality and stuff of what is.

Incidentally, I was able to give you some of the information about Miss Callahan by drawing upon some of the abilities or qualities of Frank Watts, even though he is resting at the time.

[...] He is drawing to him students who will work out well.

[...] There is a great underlying unity in all of man’s so-called early cultures—cave drawings and religions—because they were all fed by that common source, as man tried to transpose inner knowledge into physical actuality.

[...] He will be drawing energy from this other personality. [...]

[...] Now you do not need to feel that his psychic abilities close you out, or that you do not have your own: or that his abilities will draw him away from you, for they would only bring him closer. [...]

You rule your experiences from the focal point of your present, where your beliefs directly intercept with the body and the physical world on the one hand, and the invisible world from which you draw your energy and strength on the other. [...]

[...] It brings out the best in you and in your work, and represents a rich emotional loam that you need to draw out certain elements of your own personality. [...]

[...] Your ability to draw upon that channel is endless. [...]

(I explained now to Jane that the material tonight was very good, and that I hadn’t given her clues to it, etc., especially as regards the color experiments, characterization, the full-figure work, the essentials required for drawing the full figure convincingly, etc. [...]

(Pause, one of many.) With Ruburt’s limited vocabulary, this is rather difficult to explain, but it would be as if the positions of your north and south poles changed constantly while maintaining the same relative distance from each other, and by their change in polarity upsetting the stability (pause) of the planet—except that because of the greater comparative strength (pause) at the poles of the units (gestures, attempts to draw diagrams in the air), a newer stability is almost immediately achieved after each shifting. [...]

[...] I have a reservoir of personality banks upon which I can draw, and as a teacher I use the one that is most effective in any given system of reality and this is the one that I use here. [...]

[...] The pencil drawing below the actual envelope object is explanatory only.

[...] See the pencil drawing on page 72. [...]

[...] Between them on the wall was a drawing of Jane’s, matted in a gray-white matte perhaps three inches wide. Pointing to the drawing, Mother asked Jane: “Did you do this?” “Yes,” Jane said. [...]

[...] When this session began I had the drawing propped up on the bookcase so Jane could see it easily as she paced back and forth.

The drawing is very good. [...]

[...] In the bookstore you felt that in a way the store was bigger than life, however, and in the granary dream Debbie’s drawings of you are idealistically bigger than life. [...]

[...] Could have been a drawing. [...]

[...] The acceleration and the activities within the black hole draw unbelievable proportions (I checked this word with Seth) of additional energy from other systems.

[...] This attitude can easily draw poverty to you in the next experience.

[...] There are many questions to be resolved yet, since we have yet to even see the will Bill Danaher is drawing up for us. [...]