1 result for (book:tes6 AND session:248 AND stemmed:transpar)

TES6 Session 248 April 4, 1966 6/112 (5%) Doug transparencies ball music Betts
– The Early Sessions: Book 6 of The Seth Material
– © 2013 Laurel Davies-Butts
– Session 248 April 4, 1966 9 PM Monday as Scheduled

[... 14 paragraphs ...]

You cannot now do this physically, but you can do this through the use of the inner senses, trance states, hypnosis experiences, and intelligent use of the intuitions and imaginative powers. The universe is transparent to the inner senses. It is transparent functionally. It exists electromagnetically. All realities within it exist in their own band of intensity.

[... 53 paragraphs ...]

(“A connection with squares or cubes that seem to fit one into the other.” See the pencil drawing on page 72. Both Jane and I thought this a good description of the little plastic viewer and the transparencies my brother brought with him to show us. The transparencies are of Jane and me, taken several weeks ago. They measure exactly square, and the viewer is cube-shaped, the transparencies fitting into it as indicated by my sketch.

[... 6 paragraphs ...]

(“A double exposure.” Either this is a reference to two, above, or possibly to the fact that my brother brought transparencies with him to show Jane and me. We don’t remember Loren referring to any double exposures in a literal sense.

[... 9 paragraphs ...]

(“A connection with a camera and pictures.” As stated the object is related to transparencies, in that Doug’s father Loren brought his camera and transparencies with him. Jane heard our conversation about pictures and joined in the discussion. She did not know about Doug and me writing on the envelope flap, although she had seen the envelope and flap attached earlier in the day in a casual way.

(Jane now explained at break that Seth didn’t want her to say transparencies when I asked her to name the object. While in trance, she said, she had strong thoughts of Loren and Betts and the pictures, although she had no images. She also had no thoughts that she is aware of, of the viewer. When I asked her to explain the object, she explained, the inhibiting idea of the transparencies got in the way. Since Seth didn’t want her to say transparencies, a compromise emerges in which a connection with the actual envelope object is given.

(Remember that at the beginning of this data Jane is quoted as saying that she had strong impressions of something connected with both music and photographs. This before she opened the experimental envelope to see the object. Jane knows Loren and Betts well, of course, and the transparencies were of Jane and me. These emotional charges outweighed that contained in the envelope object.

[... 23 paragraphs ...]

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