“Seth material” search engine (Jane Roberts)

[...] Seth dictates one final draft of his own book, while I do at least three drafts of my own. [...]

1. Yesterday Jane finished typing the final draft of Chapter 2 for God of Jane. All of her work on the book is still plastic, however. [...]

[...] I write three drafts of my own work, and sometimes still wind up dissatisfied. This book was dictated in its final draft. [...]

[...] Just a week ago she’d finished the first draft of her Introduction, so that too is underway. [...]

[...] At one time the males might have been drafted into the army, and, secretly exultant, gone looking for the period before full adulthood — where decisions would be made for them, where they could mark time, and where those who were not fully committed to life could leave it with a sense of honor and dignity.

[...] When enough of these in a given area congregate together a strong field of activity and attraction is formed (long pause) a highly plastic first draft or underpainting model for future events or physical reality.

[...] [Sue is a writer also, and knows about things like manuscripts.] Then by the time this 806th session came about, Jane estimated that she was practically through with the first handwritten draft of James. [...]

One was at a time when Ruburt began Rich Bed and the first draft of Adventures. [...]

[...] She had begun using her old typewriter for first drafts of her writings since leaving the gallery a few weeks ago, with the idea that since we do all the Seth material work on this machine, which is the best of the three we own, some wear and tear might be saved on it.

[...] I paid her back out of my wages in the Air Transport Command when I was drafted to serve in the military in World War II.

[...] She’s written the first drafts for many of the chapters of the book by now, and has planned most of the rest of them — although she may change any of her work at any time. [...]

[...] And our friend, Ned, for all his troubles with your draft board, is quite well aware of the nature of existence and joy, but it is because you are so well aware of it that you become so desperate in the field of reality in which you are presently focused, and you must find a way to give that joy and freedom a release in the reality in which you are presently focused. [...]

A draft took him little time. [...]

Jane finished Dialogues last year (in March 1973), and now (in June 1974) is halfway through the final draft of Adventures. I’m to finish illustrations for each of them by the end of this year, if possible, since Prentice-Hall will publish both books in 1975. [...]

6. When this session was held, on the first of February, 1974, Jane was ready to begin the final draft of her manuscript for Adventures. In Volume 1 of “Unknown” Reality, see Note 3 for Seth’s Preface.

If your idea of protecting your talent could be transferred to a plant, you would keep it in a corner, a dark one, in a room in which no one could enter, and spend your time worrying about drafts, no matter how well you had closed the windows and doors.

(A note: Jane was halfway through the final draft of her Introduction to Seth’s book when this session was held.

(10:29.) If you believe that you come down with a cold every time you are in a draft, you are using natural hypnosis. [...]

[...] Late that month — unbelievably to me — I finished my own work on Volume 2 of “Unknown” Reality, and immediately began to type the final draft of the sessions; as I finished groups of sessions I mailed them to Tam every few days, while at the same time collaborating with Jane on the table of contents for the book. [...]

5. Jane is now working on the final draft of her own theoretical work on psychic matters, Adventures in Consciousness: An Introduction to Aspect Psychology. [...]