“Seth material” search engine (Jane Roberts)

Consider then a network of wires somewhat like, although different from, Jane’s conception of idea construction—a maze of interlocking wires endlessly constructed, so that looking through them there would seem to be no beginning or end. Your plane could be likened to a small position between four very spindly and thin wires, and my plane could be likened to the small position in the neighboring wires on the other side. Yet not only are we on different sides of the same wires, but we are at the same time either above or below, according to your viewpoint, and if you consider the wires as forming cubes—this is for you, Joseph, with your love of images—then the cubes could also fit one within the other without disturbing the inhabitants of either cube one iota; and these cubes are also within cubes, which are themselves within cubes, and I am speaking now of only the small particle of space taken up by your plane and mine.

I hope you see what I have done here. I have initiated the idea of motion, for true transparency is not the ability to see through but to move through. This is what I mean by fifth dimension. Now, remove the structure of the wires and cubes. Things behave as though the wires and cubes were there, but these were only constructions necessary even to those on my plane in order to make things comprehensible to our faculties, the faculties of any entity. We construct images consistent with the senses we happen to have at a particular time. I have more senses, so to speak, in operating use that is, than you have, because not only am I aware of my own plane but of yours and other parallel planes, even though I myself have not existed in some of those parallel planes.

[...] The cube shapes, and the impression of a rectangular shape also. The metal image or feeling seems to predominate with the cubes. [...] Interpretations have already been given for the cubes, Jungle Gyms, metallic data, and the rectangular package, and Jane still cannot quite sort them out here.

(“A rather airy design, with cubes predominating, and thin lines. [...] It could be said the bill is of airy design; Jane also said that to her way of thinking it contains cubes and rectangles. [...]

A rather airy design, with cubes predominating, and thin lines. [...]

(“Can you give me some more on that design with the cubes?”)

[...] And if you consider the wires as forming cubes—this is for you, Joseph, with your love of images—then the cubes could also fit one within the other, without disturbing the inhabitants of either cube one iota. And these cubes are themselves within cubes, and I am speaking now only of the small particle of space taken up by your plane and mine.

[...] Now, remove the structure of the wires and cubes. Things behave as if the wires and cubes existed, but these were only constructions necessary even to those on my plane. [...]

If they were ever lucky enough to pierce through their own cube, which is doubtful, they would merely discover the cube nearest to them, without ever imagining that there were literally numberless such cubes. A small portion of the spacious present appears in your cube but you see it in camouflage terms of continuity, in camouflage waves of past, present and future.

[...] You are, or scientists are, working within what may be described as one small cube within literally millions of somewhat similar though different cubes, the cubes all representing various camouflage universes.

Like rats in mazes, with luck you could theoretically travel from one cube or maze to another, though practically this is impossible. But even if your experiments gave you knowledge of many of these camouflage cube universes, you would learn little of the basic uncamouflaged inner universe, where all such divisions disappear.

[...] A small cube, perhaps gold color, that is the cube perhaps is gold colored.

(“A small cube, perhaps gold color, that is the cube perhaps is gold colored.” [...]

[...] The small cube referred to a small golden square of sachet, which was originally in the box but not sent to Ruburt.

Into the cube then pours psychic energy. The front or foremost line of the cube, like a gate, can open or close; and it points toward the outer world of physical matter. As energy pours into our cube it is momentarily held within it. [...]

You may consider a mental enclosure in its simplest terms to be somewhat like a cube. [...]

The front gates of our cube then open, freeing the transformed energy. [...]

[...] And if you consider the wires as forming cubes … then the cubes could also fit one within the other, without disturbing the inhabitants of either cube one iota — and these cubes are also within cubes, which are themselves within cubes, and I am speaking now only of the small particle of space taken up by your plane and mine.

[...] Now remove the structure of the wires and cubes. Things behave as if the wires and cubes were there, but these are only constructions necessary, even to those on my plane, in order to make this comprehensible to our faculties, the faculties of any entity.

[...] Jungle Gyms in playgrounds, made of tubular metal formed into various sizes of cube and square, give the impression of being stacked cube on cube. [...]

You can conceive of a fourth-dimensional cube, for example, but you cannot conceive of a fourth-dimensional thinking process. [...]

(“A connection with squares or cubes that seem to fit one into the other.” [...] They measure exactly square, and the viewer is cube-shaped, the transparencies fitting into it as indicated by my sketch.

A connection with squares or cubes that seem to fit one into the other. [...]

[...] We were each given a small cube—the squares—of pink sugar, containing the vaccine, and we let them dissolve on our tongues.

The squares were the cubes.

[...] Something else here: He equated the cube with a large pill, which would be round and difficult to swallow.

[...] “The shapes perhaps cubes. [...] Some of the shapes in it are based on cubes. [...]

The shapes perhaps cubes. [...]

The impression of a framework of thin lines, with some cube formations. [...]

[...] A “framework of thin lines” is an apt description of the patterns formed by the high marsh grasses in the foreground of the photo, with the houses rising in the background as “cube formations... [...]

Jane quotes Seth’s material from the 12th session much more extensively in Chapter 3 of The Seth Material; see Seth’s analogy involving cubes (realities) within cubes.

[...] A cube or square-shaped object like a dice. [...]

[...] If someone had slipped me an LSD cube on the sly, the experience couldn’t have been more bizarre. [...]

[...] Your universe of positive matter is but one portion of the stuff of reality or energy as it is temporarily apparent, instantaneously, at one point within one of our imaginary cubes.

[...] It seems to be a cube with the side to the right lighter somehow than the other sides. [...]