“Seth material” search engine (Jane Roberts)

[...] They still have to discover the fact that mind creates and forms matter.

[...] You do not realize that you create your larger environment and the physical world as you know it by propelling your thoughts and emotions into matter — a breakthrough into three-dimensional life. [...]

Van Gogh was true to his vision, which means he was true to the self he created for himself in that time, and so must you be. [...]

[...] Instead you project ponderous ideas of success or failure, consider work as a series of problems to be solved, and forget the idea of spontaneously creating.

After death, for example, an individual may continue to create these — masses of individuals may — until they realize that the frameworks are no longer necessary. [...]

[...] A good Speaker is as effective within one reality as he is within the other, creating psychic frameworks within physical reality as well as within interior environments. [...]

[...] The realization is like one that comes at one time or another to many people in the dream state, when suddenly they “awaken” while still in the dream, realizing first of all that they are dreaming, and secondarily that they are themselves creating the experienced drama.

To understand that you create your own reality requires that same kind of “awakening” from the normal awake state — at least for many people. [...]

[...] You do not only create your own environment, generally speaking, you create it concretely, in forms of mass and matter.

[...] It is sensitive however to panic and fear, and, affecting other glands working with inner subconscious mechanisms, it becomes overly stimulated and causes subconscious mechanisms to actually create, in matter, the object of the fears which have themselves caused the initial overaction.

[...] Now you can predict some events and they occur, but you create the future in every moment in your frame of reference, and time in your terms is plastic. [...]

[...] In one context, what you call physical reality, is a dream, but in a larger context, it is a dream that you have created and when you realize that you form it, then you come into the memory of your whole self. [...]

[...] You have created it, it was not thrust upon you. [...]

[...] But his own rhythm can now assert itself, and when he is puttering he is also psychically thinking and creating.

[...] Seth created it as an adjective for plastic.)

[...] Such a primary construction is an attempt to create, in the world of matter, a replica of the inner psychic construction of the whole self.

Secondary physical constructions are those created by a consciousness of its conception of other consciousnesses, from data received through telepathy and other means.

This distortive attempt to re-create the self once more on the physical plane, and to insure self-continuity within that plane, is the basis for the divergence of physical types and characteristics. [...]

[...] You will indeed see clearly that matter is created simultaneously, and has no duration, but is completely and almost instantly replaced by other matter, and that identity and continuity are not characteristics of matter, but must be found in other places.

[...] That is, they will create more and discover more until they are ready to go out of their minds. Because what will happen is, they will always create camouflages of the real thing. And while they create instruments to deal with smaller and smaller particular particles, they will actually see smaller and smaller particles, seemingly without end.

Again, your elements, those that you know and those that you will discover, and the elements you will create, are only camouflages of the basic stuff or vitality, which you will not discover with your outer senses. [...]

[...] The experiment has the potential for significantly broadening our conscious understanding of the world we’re creating.

[...] I said they most enthusiastically would, for if Seth is right the dream research would have a sound intuitive basis: It would uncover and reinforce many deeper aspects of our individual and collective beings—and I know of few things more important than that consciously we understand ourselves as well as we can in order to meet the great challenges we’re creating. [...]

[...] The ingredients of matter are first of all intangible ingredients, and the study of the mind and a study of the processes by which the mind creates its dream images could lead to a basic understanding of the manner in which man subconsciously produces the physical images of his own material universe.

As inner energy forms more complicated gestalts through the processes that I have earlier explained, then inner energy continues its communication with the physical matter that it creates about it. [...]

[...] Therefore each action would create a new reality. [...]

(While speaking tonight, Jane said she has within a definite “feeling of a pulsation”; it might be likened to the perpetual opening and closing of a fist, she said, with each opening and each closing creating a new reality, and thus moving itself perpetually on.

[...] [I hadn’t created anything like that for her, though.] When Jane read her poetry to me I strongly felt once again her innocence and perception: “The universe keeps turning into us….” [...]

In the most basic of terms, as 1980 happens the energy that comes into your universe is as new as if (in your terms) the world were created yesterday—a point that will be rather difficult to explain. [...]

Quite frankly, your earth is expendable, for it will be created again as often as it is needed. [...] If they do not like what they have created often they throw it away; but always with the idea of learning from their errors, and forming another from the knowledge they have gained.

[...] You do each create your own reality, however (intently), and en masse you create the realities of your nationalities and your countries — so at that time the Germans saw themselves as victors, and the Jews saw themselves as victims.

In your terms man is an animal, rising out of himself, from himself evolving certain animal capacities to their utmost; not forming new physical specializations of body any longer (again in your terms), but creating from his needs, desires and blessed natural aggressiveness inner structures having to do with values, space and time. [...]

[...] So you will collect an “unnatural” guilt, one that you do not deserve but accept and so create.

[...] As the body creates antibodies¹ to regulate itself, so you will set up mental and emotional “antibodies,” certain thoughts that are “good,” to protect you from the fantasies or ideas that you consider bad.

[...] In any reality, you create the image that you see. [...]

[...] Whereas here, there is a time lag between the time we think of something and it results in a created action or object. [...]

[...] In any reality, you create the image that you see. [...]

[...] Whereas here, there is a time lag between the time we think of something and it results in a created action or object. [...]

[...] (Very forcefully:) In that picture man himself did not help create that inner world, or have any hand in its beauty. [...]

(Long pause, eyes closed.) To some extent great artists not only capture a physical picture of Inner Idea, capitalized, but they also have a hand in creating that idea or inner model to begin with.