“Seth material” search engine (Jane Roberts)

[...] I dreamed in color that Jane and I had moved back to Sayre, Pennsylvania — my home town — to Mrs. Potter’s old apartment at 317 S. Elmer Avenue. [...]

[...] Brownish hair as an adult, approximately five, five, and with a love of the color red, even as your own mother. [...]

[...] But it is sometimes almost impossible to verbally describe civilizations of scent, civilizations built upon temperature variations, alphabets of color, pressure gradations — all of these highly intimate and organized, but quite outside of verbal representation. [...]

The basic discontent colored your other attitudes, both toward your environment, your own work, and other people. [...]

Your beliefs about dreams color your memory and interpretation of them, so that at the point of waking, with magnificent psychological duplicity, you often make last-minute adjustments that bring your dreams more in line with your conscious expectations. [...]

[...] There will be a change of simple relationships within the structure, and of color and texture, to follow. [...]

[...] Black and white colors. [...]

(“Black and white colors.” [...]

[...] Strong red color behind closed eyelids. [...]

(When she returned home her eyes were very clear, her skin color good, her pulse normal. [...]

[...] It was in full color; and in spite of its clarity and duration, was gone before I fully realized what had happened.

(The color was rather monochrome in this vision, almost an overall brownish gray upon the head. [...]

[...] At various times one belief would color her experience nearly to the exclusion of the other. [...]

Individuals feeling this way will be very uncomfortable when they mingle with others of a different race, creed or color, and despite themselves may be revengefully conservative in dealing, for example, with problems of a community nature. [...]

[...] Red can be a good color to wear under certain conditions, or violets. [...]

[...] Your impulses have shadings as your colors do. [...]

This may sound simple, and yet all such considerations serve to weigh you both down, and they color your attitudes far more than you realize.

All of them cast certain “atmospheric conditions” or reflections that color physical events as you know them. [...]

[...] Sometimes I see an outright vision, objectified quite clearly and in full color. [...]

Since these are far more lively than ordinary shadows, and are definitely more colorful, they may be more difficult to distinguish at first. [...]

[...] This is the first time we’ve seen the design, and we like it very much: The long title, along with Jane’s name and Introduction by Seth, are well arranged in subtle pastel colors against a deep blue background. [...]

Of the two of us I was supposed to be the artist in the conventional sense, yet I’d always felt that I couldn’t rival Jane’s amazingly simple but brilliantly colored art that was so true to her innate psychic knowledge—while seemingly ignoring it! [...] She painted a tree rising out of the earth with brilliantly colored apples, for example. [...] One of my goals is to see her art, all of it, reproduced in color in 81/2” x 11” portfolio style at a modest price. [...]

[...] Some years after we had moved out, the apartment house was painted a garish green, a color that was quite out of keeping with all of the other houses in the neighborhood. Now, the color is unevenly faded. [...]

I converted this image of Seth from the full-color, nearly life-size portrait I painted of him in oil from my vision in 1968. [...]

[...] Theresa Smith showed Laurel and me color photographs of her very original modern art in progress, and talked about her goals. [...]

[...] As far as we are concerned, he came through with flying colors.

[...] In this case, however, the book came from a specific source, not just from “out there,” and it is colored by the author’s personality, which is not mine.