1 result for (book:tes7 AND session:290 AND stemmed:crowley)

TES7 Session 290 October 3, 1966 7/121 (6%) Wendell tunnel studio reunion Crowley
– The Early Sessions: Book 7 of The Seth Material
– © 2014 Laurel Davies-Butts
– Session 290 October 3, 1966 9 PM Monday

[... 54 paragraphs ...]

(See the tracing of tonight’s envelope object on page 71 and the notes on the next page. The empty envelope used as object was mailed to me last May 26,1966, by an old friend, Wendell Crowley, and contained a letter detailing a reunion of a group of friends, all artists, that Wendell and I worked with in 1941-43. The letter was not in the envelope but was kept separate by me for reference after the session. As I suspected, some of Seth’s data referred to the contents of the letter rather than the envelope object itself.

(Jane and I last saw Wendell Crowley perhaps seven years ago, but we keep up a correspondence on about a twice-a-year basis. We have not seen Wendell since moving here to Elmira, NY, six years ago. When Jane first read the Crowley-Taylor logo on tonight’s object it meant nothing to her, until I mentioned the name Wendell. Neither of us have met Wendell’s business partner, Mr. Taylor, or know anything about him—not even if he is still living.

[... 5 paragraphs ...]

(“Something standing vertical.” Jane said this referred to trees. Note that Wendell Crowley, who mailed us the object, is partner in a lumber company. Also, the object was mailed to us from Ridgewood, NJ, as shown by the postmark. After break Seth says this interpretation is correct.

[... 18 paragraphs ...]

(“The photograph connection is strong [pause] but I do not believe the item is this precisely.” [Pause.] Seth tried to help Jane discriminate here, as he often does. Tonight’s object of course is not a picture or photo, but an envelope that contained a letter about people who make pictures. Also, I was taking pictures of Jane last week, as explained. Thus it can be seen how all such related data, even though separated by much time, comes together in these session experiments. This particular chain of association was not anticipated by me when I picked the Crowley envelope as object for tonight. The two studio settings—the studio I worked in with Wendell Crowley in 1941-3, and my present studio, are separated by as much as 23 years.

[... 2 paragraphs ...]

(Jane spells out: M-i-s-s-i-n-c or e-n-c. At break Jane said this data was actually two impressions, Miss and Inc or Enc. But we still couldn’t make connections. According to the object, for instance, the Crowley-Taylor Lumber Company is not incorporated.

[... 4 paragraphs ...]

(“And a small round object.” On top of the stack of papers that had accumulated on the desk shelf, and which contained Wendell Crowley’s envelope and letter, I had placed a plastic tape dispenser as a makeshift paperweight. This dispenser is composed of round and curving lines, has a circular hole through it perhaps an inch and a half in diameter, a larger round design in red printed about this hole, and of course contains a round roll of Scotch tape perhaps two inches in diameter.

[... 1 paragraph ...]

(First Question: What’s that connection with a February event? “I am not sure, though the number 17 seems connected to it, or 14, between the 14th and the 17th of February.” As explained, the object for tonight contained a letter written by Wendell Crowley in answer to my letter of last February. My letter could well have been written between February 14 and 17.

[... 29 paragraphs ...]

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