“Seth material” search engine (Jane Roberts)

[...] These emotional charges outweighed that contained in the envelope object.

[...] Speaking of electronics, don’t get all charged up. [...]

[...] As in the other sessions of this book, I was aware of an extra charge or impetus, an added determination on Seth-Jane’s part. [...]

[...] Obviously, we made our choices in that respect long ago: As far as the deeply charged subject of Jane’s illness was concerned, we decided to keep most of our dream work on intuitive and unconscious levels. [...]

[...] Jane said Seth might not be able to very easily distinguish between the emotional charges connected to a photo and a painting; they might appear much alike to his perceptions. [...]

Because of your attitude toward it, because of the open surroundings, and because it is highly charged for other reasons.

[...] It was as though she had suddenly received an extra charge of energy. [...]

Emotional charged feeling immediately sets up what you may think of as a tangent. [...]

[...] He works best on a job when he is more or less left alone, in charge of given functions to perform, as when he acted as salesman. [...]

[...] I thought this object simple enough, while containing some good emotional charges, but as will be seen Seth picked up many connections. [...]

[...] This is often the case, the often innocuous envelope object reflecting whatever strong emotional charges surround it at the physical time Jane and Seth are trying to get back to.

[...] You must, therefore, ask yourself where this charged attitude toward sound originated, and why you use it in such a way. [...]

[...] They have practically no mass, no electric charge, and hardly ever interact with matter. [...]

[...] I do not give readings or sessions for the public (nor do I charge fees or accept contributions), so the reincarnational readings were those we had for students, friends, or for those who had asked for assistance in a particularly tragic problem. [...]

(“I was going to say that I got a charge out of your calling Frank Watts a fathead, at our seance the other night.”)

[...] Jane-Seth began to talk in a very loud and exceptionally vibrant voice, as if an extra charge of energy was suddenly made available. [...]

[...] Jane remembered little of what she’d said, yet now she felt the emotional impact of the material in her stomach — the reaction she often gets, she told me, when the information is of a personal or “charged” nature.

[...] There is an emotional charge connected, therefore, with any rejection. [...]

The atoms and molecules themselves, through their own capsule comprehension, form into particular objects under the direction, but not the coercion, of the individual who is in charge of any given particular physical construction.

[...] There is a more emotional charge connected with those issues, hence the temporary feelings of panic, for example. [...]