“Seth material” search engine (Jane Roberts)

[...] To people in earlier centuries clock time was unimportant; and from here in I will distinguish between physical time, which has to do with day and night, with the tides and seasons, and clock time with which I will deal only when absolutely necessary.

[...] I was just wondering why a body of knowledge like this couldn’t have accumulated over the centuries, slowly.”)

[...] Centuries ago this was not admitted.

[...] You may therefore visit a museum which was planned in the 16th century, but never built. [...]

[...] In your terms then, he would seem to delve into each moment in all of its probabilities, so that in your time on the one hand many centuries would have passed, and on the other hand only an instant.

[...] I don’t think her “sinful self” could have risen to such prominence without feeding upon those repressions, clamping down more and more within the psyche as the years passed, continuing its misguided but “well-meaning attempt to protect the creative self … to keep a hand of caution on its course lest the centuries of men’s belief in sin carried a true weight that I shared but could not comprehend.” [...]

[...] All probabilities flow through it, though one of your moment points may be experienced as centuries, or as a breath, in other probable realities of which you are a part.” [...]

Throughout the centuries many people have recognized that mind and matter were related, but the Seth Material specifically gives the ways and means by which mind is translated into the reality that we know. [...]

[...] They interweave, not only through your centuries as you understand them, but through other realities. [...]

[...] Or there could be a connection also with the 13th and 17th centuries. [...]

[...] Were this the case in your terms of history, the world would never have lasted a century. [...]

“Perhaps what we are has always waited, hidden in the possibilities of creation, dispersed and unknowing — in the rain and wind that swept across Europe in the thirteenth century — in the heaving mountain ranges — in the clouds that rushed through the skies of other times and places. [...]

These sessions represent what you might call previews of eternity, in that you are to some extent receptors of thought that is not hampered by time, and of a companionship that has not ceased with the stirring of the centuries, and with a valid emotional relationship that has escaped the camouflage aspect of physical reality.

[...] You may, therefore, visit a museum that was planned in the sixteenth century but never built. [...]

[...] 2. “… for we can spend a century as a tree or as an uncomplicated life form in another reality.”

[...] We are not alone in this endeavor, for through your centuries other entities like us have also appeared and spoken.

[...] The idea of personhood held by the Roman Catholic Church affected the history of the world for centuries, and that idea of personhood is intimately involved, of course, with the idea of personhood’s source. [...]

[...] Later volumes of The Personal Sessions will also include a whole book that Jane delivered for me on the great l7th-Century Dutch artist Rembrandt Harmensz van Rijn. [...]

[...] Long ago, the three floors of the old house, a typical turn-of-the-last-century “mansion” on the main street three blocks west of Elmira’s business district, had been converted into eight apartments. [...]

[...] Our landlord, Jimmy Spaziani, had told us that the entire apartment had been the master-bedroom complex of the wealthy merchant who had built the house for his family more than a century ago. [...]

[...] According to what he’s said so far, the artist was a fourteenth-century Dane or Norwegian, and was known for his domestic scenes and still lifes. [...]

[...] “The Red Wagon” is included in the collection Ladies of Fantasy/Two Centuries of Sinister Stories by The Gentle Sex, © 1975 by Manley and Lewis, and published by Lothrop, Lee & Shepard Co., New York, N.Y., 10016.