“Seth material” search engine (Jane Roberts)

[...] Not only can all cells respond to each other, but their mass activity triggers even higher centers of consciousness to respond to a given set of world conditions, rather than to other quite-as-legitimate world conditions that do not fit the accepted pattern. [...]

When consciousness is being specified, it always sees itself at the center of its world. [...]

[...] that now I’ve forgotten because the stage looked somewhat like an altar, and she was saved from falling, and deposited on the stage, she stood in the center, wearing slacks and a blouse, arms out, waving at the people. [...]

[...] A square object, perhaps a small square shape at the top center of the object, balanced by another shape at the bottom center.

(“A square object, perhaps a small square shape at the top center of the object, balanced by another shape at the bottom center.” [...]

[...] Apparently it had been centered however, although shifting might have taken place.)

[...] As noted earlier, when the double envelopes were opened the object appeared to have been centered within them. [...]

(Jane also said the embossed data is legitimate, and stemmed from two things on the object: the “squiggly" frame I indicated in the drawing, and the fact that the center portion of the object had added dimension or thickness because of the two pieces of paper—actually one-ply drawing paper—being pasted together.

[...] “In the corner?" As noted on page 209, apparently the object was centered inside the double envelopes. [...]

(“Black print or lettering or writing in a right hand corner, extending outward toward the center.” [...] To Jane, this reading matter does project toward the center of the object.

[...] Black print or lettering or writing in a right-hand corner, extending outward toward the center.

[...] Both women had M initials also for the last name—Masters at the Gallery, Methinitus now at the nursery school at the Jewish Community Center.

Perhaps yellow in the center of a slightly rectangular shape, outlined in green. A visual connection, with square or rectangular objects in the center of a larger area, with modern connotations as a design might have. [...]

(Seth continues in answer to the first question: “A visual connection, with square or rectangular objects in the center of a larger area”, refers to the rectangular bricks marching up across the center of the object. [...]

[...] “Perhaps yellow in the center of a slightly rectangular shape, outlined in green.” [...]

[...] Using your terms again, and your scientific framework, when you look outward away from your planet, and when you assume that you are looking backward in time, you are simply looking into, or toward, what may be described for analogy’s sake, the center, or core, of an infinite sphere; which exists, you see, in your terms as far on the other side of the inner core, and in all directions. [...]

I have the impression of a circular shape, with a smaller square in the center. [...]

(“I have the impression of a circular shape, with a smaller square in the center. [...]

The card in the center contained a street. [...]

[...] One bending down or over… Now these may be objects, or representations, rather than persons, but I have the impression of two persons… In any case these two objects seem to be together, toward the lower center of the object perhaps, holding the object this way.” These are excerpts from succeeding impressions as a group, and are given here because Jane thinks the bending over idea here derived from the way the wings of the eagle bend in and down toward each other; they are together, or close, at the base, and in the center of the object.

[...] In any case these two objects seem to be together, toward the lower center of the object perhaps, holding the object this way.

[...] Perhaps this gave rise to Seth’s mention of lower center.

A center, as the center of spokes. [...]

(“A center, as the center of spokes. [...]

[...] There is a center to the self, again, that acts as a nucleus. The nucleus may change, but it will always be the center from which physical existence will radiate. Physically, intent or purpose forms that center, regardless of its reality in terms of energy.

[...] Imagine that at age 13, three strong energy centers come to the surface of the personality — highly charged, so that one person cannot adequately fulfill the desires or abilities presented. [...]

[...] As to a front door precisely in the center of a front room, Lorraine was not sure. [...] If one looked at the front of the house from the outside, he would see a single door in front, in the center of the house; but this was a door opening into a hallway, with apartments opening off on either side, and thus would not be in the middle of a front room.

[...] The door was in the center. However, my viewpoint is not precise enough perhaps, but I have the picture of a door precisely centered, leading outward. [...]

Pretend that the energy within that object is the center of life, so that the whole rest of the universe derives its energy within that stone or flower. [...]

[...] Imagine the individual as the center of all life, so that when the painting is completed it automatically suggests the whole universe of which the individual is part. [...]

Painting or sketching outdoors for a while will aid you considerably in your ability to sense this inner unity, to see each natural object in its individualistic momentary majesty, and yet to realize that it is in one way a center through which all energy moves.

You are each a center and a focus point and an individuality, and around you are circling realities and you have an existence in each of these. [...] One of your own dreams rising out from you as its center, it touches and changes these other realities. [...]

[...] It appeared on the same page of the newspaper, just above the center column of the object itself, but was attched to another article about Mrs. Berry.

Something in the center like a target.

[...] This photo was included in another article; the photo was centered above the middle column of the object. [...]

[...] Peggy Gallagher can match the G. Another possibility here is the very large calligraphic G on the back of the object, in the center.

[...] Concentration on his writing in the morning helps rid him of symptoms, and so does concentration at nursery school, for his attention is otherwise centered. [...]

His attention while walking has been centered upon his progress. [...]

[...] These “new sessions” and your joint, newly accepted center and the framework that is evolving from it, is also highly important.

[...] A seat to the right of the center.

[...] Resembling a short squat cross in shape, but more filled in, in the center, and this portion scalloped in some manner, and inscribed. [...]

[...] A sign lit up in the center of a palm tree out front. [...]

[...] A center room with pale walls, first floor, where they stay a night.

[...] One couple is brave, daring, assured, headed for the center of the stage. [...]

[...] The brave portions of your personalities went on helping each other, as per the dream, until Pat Norelli, as Ruburt, easily working through belief systems stands center stage, ready to speak to other frightened portions of yourselves still on a high ledge. [...]

[...] Now the feeling should come from the center of the back of your head and extend backward. [...]