“Seth material” search engine (Jane Roberts)

To some extent Ruburt has identified with him. He was after all Ruburt’s mother’s father, and therefore the source out of which Ruburt’s mother came—the higher power, so to speak. The ape emotionally represented the instincts in true light, as dependable, supportive, and as the basis for earthly existence. Ruburt as an infant, then, experienced the strength of the earthly source. This means that he is to trust his instincts as far as letters are concerned, or healing, or whatever. At the same time the ape male and female represents the sexual quality of the earth, male and female being simply other versions of each other. This automatically helps resolve certain conflicts Ruburt had involving male-female identifications. In other terms the past was altered, in that Ruburt now experienced the yearned-for mother love that was warm in its animal female understanding, supportive and strong enough to easily bear a child’s small ragings and hatreds.

In terms of your beliefs and in terms of deeper truths, man is related to the ape, so his experience also brings an even more substantial sense of belonging to the earth, and identification with the utter rightness of instinct.

(9:57.) Give us a moment.... At one point Ruburt saw the ape still male, and then a portion of himself sitting at the library table, for in your position it is the animal instincts themselves that propel you to search for answers, to write books, to explore in your particular way. The ape was at home in the library, and his face was compassionate. Identification with the instinct brings compassion, and that compassion and wonder spark the creative instincts. Ruburt’s idea was still one of controlling those instincts and his “animal” abilities. On another level, because the ape was in the library, compassionate and understanding, Ruburt was seeing symbolically the force of his own physical nature, quite at home with itself, and at home in the psychic library of the mind.

The ape episode served to connect him in trust with his own deepest instincts, and he saw that those were loving. The ape could not have appeared however until after the blond man forcibly threw out that negative image. He dashed it against the wall. The pygmy Indian with the bent legs emerged, signifying Ruburt’s grandfather identification. That identification is simply one of the reasons behind his concern with spontaneity and order, as I hope I have explained earlier this evening.

He also identified with his grandfather as a child, seeking protection from his mother in someone who seemed to love him more. The negative image, dashed then, gave forth the symbolized image that he had been using in his mind. He then turned into a baby, because the identification began early. Do you follow me?

It was not necessarily a negative identification. That negative quality emerged only when he felt the need for greater protection, when he threatened to become uncivilized—going against his society in unforeseen ways. When he became important at all in world terms, he could no longer be a pygmy, and therefore lost a part of that identification that he felt had protected him against his mother and the feared spontaneity or instincts. So he would become shorter.