“Seth material” search engine (Jane Roberts)

Creative people, if they succeed at all, often find themselves in a position where they feel that the precious inward isolation is threatened. Demands are then made by the outside world that were not made earlier. The inward work ends up causing them to relate to a physical world when they believed that their duty was to shut themselves off from that world.

In many areas then both of you controlled your spontaneity. For Ruburt this had greater dangers than it did for you because he is geared toward spontaneous action. Other issues would have subsidiary effects, all within the framework. For him the writing abilities had to be allowed freedom. The psychic initiation actually united them. The early novels, published, would have led to another kind of personal problem, since all involved were living. He would still have had to face the world, so to speak. To be free to write freely, he had also to make a certain financial success, or he would need a job.

Hearing you voice the same opinions, he becomes mad at them or at you, for he knows that those reactions of yours helped him form his fear of the world—helped, but are not responsible.

You say that when my book is finished you will move, yet each of you through the years has said “When this book is finished we will move.” Move or not, you must be consciously aware of your beliefs and deal with them on that level. Now. Ruburt’s coming back in here (Apartment 5) represented a willingness to face beliefs. To come out into the open, so to speak, with you and with the world.