1 result for (book:tps2 AND heading:"delet session june 30 1973" AND stemmed:face)

TPS2 Deleted Session June 30, 1973 6/85 (7%) distractions youthful curtailment backslidings noise
– The Personal Sessions: Book 2 of The Deleted Seth Material
– © 2016 Laurel Davies-Butts
– Deleted Session June 30, 1973 9:45 PM Saturday

[... 29 paragraphs ...]

In many areas then both of you controlled your spontaneity. For Ruburt this had greater dangers than it did for you because he is geared toward spontaneous action. Other issues would have subsidiary effects, all within the framework. For him the writing abilities had to be allowed freedom. The psychic initiation actually united them. The early novels, published, would have led to another kind of personal problem, since all involved were living. He would still have had to face the world, so to speak. To be free to write freely, he had also to make a certain financial success, or he would need a job.

[... 10 paragraphs ...]

The symptoms became intensified. The tooth symptoms however brought up a system of beliefs through his writing, and he faced some of them quite directly in a crisis situation. He saw what could happen when beliefs are allowed to run astray, and he attacked some then quite directly, and won out. The contract for my book, on a physical level, relieved him.

[... 9 paragraphs ...]

If you did not know that Ruburt could indeed manage to dance, though not in the wildest fashion, then you would not believe it when “faced” with the reality of his behavior around the house. You would think he could not do it.

[... 5 paragraphs ...]

You say that when my book is finished you will move, yet each of you through the years has said “When this book is finished we will move.” Move or not, you must be consciously aware of your beliefs and deal with them on that level. Now. Ruburt’s coming back in here (Apartment 5) represented a willingness to face beliefs. To come out into the open, so to speak, with you and with the world.

[... 7 paragraphs ...]

Now. From the rich bed of creative imagination springs the physical facts that appear within your lives. Ruburt’s imaginative endeavor with the trailer for example represents the kind of activity that is far more productive than any attempt “to face” the terrible conditions that could result if the situation is not solved.

[... 6 paragraphs ...]

Up until now Ruburt felt and believed that despite the unfortunate aspects you were willing to go along. He felt you were not willing on your own to face some issues on a conscious level, and as he grew more frightened he felt that you were willing to let him do this for both of you while you were accusing him because of the symptoms.

[... 12 paragraphs ...]

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