“Seth material” search engine (Jane Roberts)

Because many of his ideas and beliefs were also bound up with you, your work, your ideas and his interpretations of them, then your relationship became entwined. Initially the beliefs were accepted because he had been taught to believe to fear his energy. On the other hand it was his pride. Now in another kind of life-style, with another kind of personality, the same belief might have been dispensed with easily. If energy flows in conventional accepted patterns it is not feared.

(Intently, as above:) His nature then on other levels would follow the same pattern. He felt that this same quality, physically translated, led to a physical spontaneity that would make the inner spontaneity more difficult to achieve. Spontaneity and energy used in his work was one thing, but allowed physical translation, he felt, could mean bizarre, unreasonable physical complications.

Before you moved here he felt that his energy had been too spontaneously used physically.

When he found himself becoming at all known after the tour, the symptoms, after having lifted to a large degree, returned with a vengeance, because then he was suddenly, to his way of thinking, besieged by distractions of a different kind. Then he was also afraid that this spontaneity and unconventionally attuned energy could be misdirected, again physically away from work. He could become for example a television personality.

Letters and calls were interpreted as distractions mainly—as another pull upon his energies. He recognized the psychic source of his writing, which cleared the psychic area in that respect, finally. But he was afraid that the spontaneity denied in physical life would run rampant now in inner psychic experience.

The sex was denied on a physical level to a large extent, as he read so-called psychic books. Much of this is based on the youthful feeling he had to direct his energy toward his work. He found his physical age frightening for a while, and was therefore not able to use the experience gained with age. To give up the youthful ideas was to admit that he was no longer the young writer.