1 result for (book:ss AND session:585 AND all:"all that is")

SS Part Two: Chapter 21: Session 585, May 12, 1971 15/26 (58%) drama internal religion outward religious
– Seth Speaks: The Eternal Validity of the Soul
– © 2012 Laurel Davies-Butts
– Part Two
– Chapter 21: The Meaning of Religion
– Session 585, May 12, 1971, 9:35 P.M. Wednesday

Displaying only most relevant fragments—original results reproduced too much of the copyrighted work.

¶22

They serve quite clearly as human representatives of All That Is. Now since each individual is a part of All That Is, to some extent each of you serve in that same role. In such a religious drama however (long pause), the main personality is much more conscious of his inner knowledge, more aware of his abilities, far better able to use them, and exultantly familiar with his relationship to all of life.

¶8

[...] There is comprehension of the meaning of all existence within each personality. The knowledge of multidimensional existence is not only in the background of your present conscious activity, but each man knows within himself that his conscious life is dependent upon a greater dimension of actuality. This greater dimension cannot be materialized in a three-dimensional system, yet the knowledge of this greater dimension floods outward from the innermost heart of being, and is projected outward, transforming all it touches.

¶17

(10:00.) Now these people are chosen by others to manifest outwardly the interior truths that all intuitively know. [...] On the one hand, such individuals receive their unearthly abilities and power from their fellows, contain it, exhibit it in the physical world for all to see. They play the part of the blessed inner self that actually cannot operate within physical reality uncloaked by flesh. This energy, however, is a quite valid projection from the interior self. [...]

¶14

This is the dilemma of the ego, particularly in its early states. It looks outward for answers because this is its nature: to manipulate within physical reality. It also senses, however, a deep and abiding connection that it does not understand, with other portions of the self that are not under its domain. It is also aware that this inner self possesses knowledge upon which its own existence is based.

¶3

[...] We’ve realized for some time that Jane is sensitive to those subjects, particularly religion; she had strict training in that field as a youngster. Coupled with that, however, she developed a very strong, literal, religious drive on her own. She is well aware that such an early environment leaves its marks, even though she had left her church by the time she was nineteen….

¶12

The outer world is a reflection of the inner one, though far from perfect. The inner knowledge can be compared to a book about a homeland that a traveler takes with him into a strange country. Each man is born with the yearning to make these truths real for himself, though he sees a great difference between them and the environment in which he lives.

¶20

They will be formed to impress world conditions at any given time, and therefore couched in symbols and events that will most impress the populace. This is craftily done, for the inner self knows exactly what will impress the ego, and what kinds of personalities will be best able to personify the message at any given time. When such a personality appears in history then, he is intuitively recognized, for the way has long been laid, and in many cases the prophecies announcing such an arrival have already been given.

¶4

(Somewhat to my surprise Seth started Chapter Twenty-one this evening, but I soon realized that he wasn’t leaving our questions behind. [...] It had been raining all day, and still was.)

¶25

[...] I finally ended up giving her a copy of the material, in order to answer all of her questions. She liked it so much that she read it to ESP class, as she has done with a few previous segments from the book.)

¶13

An internal drama is carried on by each individual, a psychic drama which is finally projected outward with great force upon the field of history. [...] The drama itself is a psychological phenomenon in a way, for each physically oriented self feels thrust alone into a strange environment, without knowing its origins or destination or even the reason for its own existence.

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