“Seth material” search engine (Jane Roberts)

In this book he comments on our religions, sciences, cults, and on our medical beliefs as well, with an uncompromising wisdom — as if — as if he represents some deep part of the human psyche that knows better, that has always known better — as if he speaks out not only with my voice but for many many other people — as if he represents the truths that we have allowed ourselves to forget.

“You make your own reality.” That statement is one of the cornerstones of Seth’s material, stated almost from the beginning of our sessions and emphasized throughout his books. In Mass Events, though, Seth goes further, maintaining that our private impulses are meant to provide the impetus for the development of our own abilities in a way that will also contribute to the best interests of the species and the natural world as well. He’s speaking of our normal impulses here, those that we’ve been taught are dangerous, chaotic, and contradictory. Seth maintains that we can’t trust ourselves while distrusting our impulses at the same time. Much of this book is concerned with the purposes of our impulses, and the reasons for their poor reputations in the eyes of science and religion. What Seth is really saying here is that our impulses are meant to help us create our own realities on a personal basis in a way that will enhance both our private lives and our civilizations.

Since we are all involved with world events, it is highly important that we also understand how we fit into those global actions, and see how our negative beliefs about ourselves and the species can result in situations far less than ideal, and quite different from our stated goals. For this reason, Seth explains how the theories of Freud and Darwin confine our imaginations and our abilities.

The earliest poets were probably half shaman, half prophet, speaking for the forces of nature, for the “spirits” of the living and the dead, voicing their visions of man’s unity with the universe. They spoke their messages, sang their songs, chanted their visions aloud. And maybe that’s why Seth speaks, communicating first through words, rather than, say, through automatic writing. Seth’s books are first of all spoken productions. Perhaps the Seth sessions themselves harken back to some ancient time when we received much of our pertinent information about ourselves in just such a fashion: one of us journeying for the others into the “mass unconsciousness” — a journey that somehow altered and expanded the personality — and then communicating our visions as best we could.

If so, though, such altered “between world” personalities can be remarkably stable; and if they form according to our ideas of individuality, they can certainly outdo us in their unique complexity. For if Seth is only a psychological model filled out by my unconscious trance material, then he certainly puts our usual concepts of personality to shame, and by implication shows that we ourselves have a long way to go if we are to use our full potential.

So I do think more is involved. I think that Seth is a model of ourselves as we know we can be; that he speaks for the part of ourselves that never for a minute believed all that nonsense about flawed selves.

But however we attempt to define Seth’s reality, I’m convinced of one thing by now: He is delivering to our conscious minds our deepest unconscious knowledge about ourselves, the world, the universe, and the source of Being Itself. Not that Seth claims any kind of omnipotence, because he doesn’t. His material, however, is clearly providing such translations of unconscious knowledge, and intuitive disclosures; disclosures, according to Seth, no more remarkable than those available in nature itself, but we have forgotten how to read nature’s messages; disclosures no more mysterious than those available in our own states of inspiration, but we’ve forgotten how to decipher those communications too. Instead, many people are even frightened of inspiration itself.