“Seth material” search engine (Jane Roberts)

[...] “I was afraid he might only get as far as Coleman Avenue — a block away — or someplace like that. [...]

[...] I can’t tell you how frustrated — how blocked — this made me feel at the time.

These units however, while not adding any more matter to themselves and being self-contained, could and did become units that were used as building blocks by other units which continued, not yet completed. And here the self-completed building block units, while not expanding within themselves, still became part of more complicated gestalts.

[...] When you are fearful you block out possibilities. [...]

We will have to update your reincarnational data, for there have been distortions in early material, and blocks, then, on Ruburt’s part. [...]

[...] The comfort of social discourse represents one of the great building blocks of families and civilizations. [...]

[...] One need not block out the others. [...]

[...] Needless to say I wanted you to know that there is much more than even this, complexities that are truly astounding, intelligences that operate in what I suppose you would call a gestalt fashion, building blocks of vitalities of truly unbelievable maturity, awareness and comprehension. [...]

The small mention I made of the astounding gestalt building blocks of massive intelligence is also very important.

[...] (We had lived at 458, three blocks from downtown Elmira.)

[...] He had been blocking many of these. [...]

[...] The belief systems can be like blocks, which are used and then later changed or replaced, but there is a kind of (underlined) bonding of the childhood self with those ideas it takes from its parents. [...]

[...] You do both, when you are together—often now, but not always—still concentrate upon Ruburt’s symptoms, so that they seem to block out all else. [...]

[...] To some extent then language operates as a screening device, enabling you to communicate certain data while effectively blocking out other kinds.

[...] Was it secure enough to keep you from accepting invitations, to allow you to avoid distractions, or emotional complications that might arise from any considerable contact with others in, say, “professional terms?” Ruburt built the edifice, but you looked on, for though you disliked the building blocks, say, the symptoms—you thought until very lately that it did serve its purpose very well.

[...] To sum up first, we saw that Seth had used the name of the artist who had executed the block print, Roy Fox, as a starting point for data involving Jane and Roy and me, but for some reason had not dealt with the test object itself. [...]

[...] We can see the connection with the Roy Fox data however, since Roy made the block print; his name is also on the test object. [...]

[...] Four separate blocks, or divisions of color. [...]

(Thus there are four pieces of data we made no connections for: 3, diagonal, 2, 1; A framework; Four separate blocks, or divisions of color; Connection with a missionary and a turnstile.

[...] While I have Ruburt in such an excellent state of passivity, I will add another point that he has blocked in the past.

(To leave the cottages for a moment, down the street within three blocks is a bar with a large keg in it, as Seth stated. [...]

[...] The enormity of the stones in these buildings left me amazed; I didn’t see how blocks weighing 1200 tons could be moved without machinery, let alone fitted into place over twenty feet up on foundations, etc. [...]

(In addition, I have always doubted the block-and-tackle idea used in constructing such massive, enormous wonders as Baalbek. [...]

[...] For various reasons it is easier for me to deal with blocks of related material. [...]

[...] According to them, Seth would have to sort through blocks of electrical intensities in order to lift out individual bits of information.)

[...] There is no need to feel that when you block out the ordinary conscious mind, there is only blankness. [...]