“Seth material” search engine (Jane Roberts)

Jane’s ability and training as a writer are obviously responsible for the form the sessions take. As she’s said often: “I’m a writer who’s psychic — not a psychic who’s a writer.”

[...] Have Ruburt forget what a writer or a psychic is supposed to be or not to be. [...]

(Both of us—but Jane particularly—had been struck by the unique and original way the writer had put together his selection of words to reflect his chosen reality. [...]

[...] I crossed the writer off my mental list of who I might reply to in the future. [...]

[...] Tam asked me if I would consent to having a well-known psychic writer tell my story for me because of the built-in publicity his name would lend. [...] Now I understood the reference to losing my “job” and the connection with the “notorious” writer. [...]

[...] There was also something about my being fired from a job because I was notorious as a writer.

[...] A writer, free-lance, will do the life story of so-and-so, because the “psychic” himself is considered too erratic, too out of it, and too untrustworthy to honestly record his own experience.

[...] Prentice would have taken it had you allowed another writer to report the experience. [...]

(Even those at the writer’s conference in the summer of 1957, at Milford, Pennsylvania, told her she’d outgrow her urge to write — that she should have a baby. [...]

[...] Then again it had better be legitimate, since it was obvious he was being interviewed as a psychic who wrote, rather than as a writer with psychic abilities.

He is not a creative writer, but a work-a-day one, whose creativity then seeks release. [...]

[...] By then I’d answered two of the three letters we’d received today, for both writers wanted to come here—one from California, the other from Australia. [...]

[...] The writer has obviously learned much from reading the Seth material, and revealed insight as to why he and his lady had chosen to marry to begin with. [...]

[...] Now: We are going to resume dictation on our book, so (humorously to Carl) you can see an author at work — an authentic ghost writer if you prefer.

[...] She’s married to Rick Stack, a writer, publisher, and lecturer involving things psychic; he too was a member of ESP class. [...]

It would be nice if you learned to appreciate your own abilities both as an artist and as a writer (louder). [...]

I would give some thought then to my self-image, and to the image of an individual who is highly gifted as a painter, as a writer, as a thinker, and I would endeavor to loosen myself from any bonds that prevented me from using those abilities—in particular any sexual ones that defined my identity in terms of money alone.

[...] Have Ruburt forget what a writer or a psychic is supposed to be or not to be. [...]

[...] Your beliefs, that artists and writers were poor, were quite conscious. [...]

[...] In the beginning as an apprentice writer this was to allow him to develop.

[...] To give up the youthful ideas was to admit that he was no longer the young writer.

(Smile.) It is the writer’s hour, and we will resume dictation.

Many writers of historical pieces, for example, are writing out of direct experience with those times. [...]

Again, the writer or the artist also brings more into his work than the simple ability to write or paint. [...]

(10:20.) The creative self, however, is not nearly as specific in nature as Ruburt once thought, when he considered himself a writer only. [...]