“Seth material” search engine (Jane Roberts)

[...] I’ve already started work on Chapter 9, out of the 11 making up the book.

[...] Three men work together for their own ends.

You, Joseph, are now learning to use your inner intuitions and inner abilities, and to focus them also outward creatively in your work, and also in your own physical activities and environment.

[...] At least a year ago I suggested that a room divider be kept up to divide his working area. [...]

[...] You will most probably work out a physical, technological way of making this possible, before you realize that you could have done it all along.

[...] It will happen at any time—at work, at home, etc. [...]

[...] Your Life as Your Most Intimate Work of Art, and the Nature of Creativity as It Applies to Your Personal Experience.”

[...] Seth referred to the personal material he’d given for us before book work, so I read it to Jane now. [...]

I will indeed now close our session, the reason mainly being that Ruburt has been oriented in a quickened fashion toward our work since he began his book again, and he has used additional energy in doing so. [...]

[...] We have been working with difficult material. [...]

[...] Upon it he had summarized the data Seth had given him about his professional life over a period of several years, and the ways in which it had, or had not, worked out. [...]

(Pause at 10:00.) All of this involves a working with symbols in a most intimate manner. [...]

[...] That book required much more work on Joseph’s part, and that additional effort itself was a demonstration that the psyche’s events are very difficult to pin down in time.

[...] But finally she reached the point where there just wasn’t enough time for her to answer the telephone that often and get her own work done too.)

[...] This gives us added energy with which to work, for I can also use Ruburt’s emotional connections with the young woman, and this is to our advantage.

[...] I went back to working on taxes while Jane talked to him, and at the same time found myself wondering whether his unexpected visit might symbolize one of the very facets of Jane’s dilemma about privacy versus the public life—at least as I understand it: Her vulnerability and availability to anyone who chooses to come here. [...]

[...] Work with a hypnotist should help clear such difficulties. [...]

Earlier today Jane and I had talked about Seth’s resuming work on Dreams. [...]

10:07 P.M. Once Jane was out of trance, I told her that most of Seth’s material since break can also be considered book work, including his hint about his own reality. [...]

[...] I’m still busy typing the final manuscript for Mass Events, but we’ve already planned that I’ll be adding several “nonbook” sessions, and excerpts from others, to Dreams when finally I get to concentrate on the production work for it And my own opinion, I explained to Jane, is that Seth is considerably more than halfway through this book, even if we add more extra sessions to it.)

[...] There is an interesting point connected with the necessity to coordinate the workings of the senses, in that before this process occurs there is no rigid placement of events. [...]

[...] Jane walked to our neighborhood store while I set to work typing. [...]