“Seth material” search engine (Jane Roberts)

[...] He went back to his studio and I closed my eyes trying to visualize my [psychic] library;⁹ nothing, I tried again and just as suddenly I saw a woman seated opposite me [at] the living room table.”

[...] I did remember her describing an older woman in shabby clothes, whose lips were moving as though she was talking to Jane; there was no sound. [...]

A woman vocalist or pianist. [...]

(“I was just thinking about the woman with the book in the drugstore,” I said, referring to a person I’d noticed in Fay’s some weeks before. [...]

[...] Added to this is his strong domestic feelings now as a woman; and this, my dear Joseph, explains the incredible amount of furniture movings in which you have been involved.

[...] So, while I busied myself in the familiar market next door, she sat in the car writing — looking quite ordinary, a small black-haired woman with her head bent forward…. [...]

[...] Since we are with friends, I will tell you that he remembered his womanly modesty even in his sleep, and he once more donned the clothes that he donned earlier, you see, when he let the cat in.

[...] 7/3, PM: I saw dark water with moonlight upon it, a woman’s unclear figure on the shore. [...]

[...] I will tell you that in the most important respects, that woman’s book is legitimate. [...]

Now take any other person — or rather, more to the point, any other woman — in the so-called psychic field. [...]

Seth intimates as much in Chapter Four, when he says, “Now the information in this book is being directed to some extent through the inner senses of the woman who is in trance as I write it. [...]

[...] A woman came out of a house nearby to watch. [...]

[...] At 8:35 two of Miss Callahan’s relatives knocked on our door: Miss Betty Dineen, an older woman who is a teacher, and a distant relative but close friend of Miss Callahan’s, and Miss Callahan’s nephew John. [...]

[...] I found myself getting out of my body with some difficulty, only I was someone else or in someone else’s body, a young woman student. [...]

[...] This is based upon the personal feelings of Ruburt, who is a woman now and does not wish to appear flighty or hysteric.

[...] The woman was much stouter than I but bore a striking resemblance to me. [...]

[...] Then a woman appeared and we began to talk. [...]

[...] A woman in old-fashioned clothing, a representation rather than a person. [...]

[...] Because Ruburt is trying to learn gentleness this time and because he is a woman strongly attached to you, his respect for you is boundless and in most cases he will give in to what he considers your superior judgment. [...]

[...] Seth also gave other impressions concerning the woman’s background, but we couldn’t check these out.

“He was a woman. [...]